Inktober 2017: ‘Underwater’

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Inktober is an annual international fun challenge for whomever cares to participate. The Inktober organisers post a list of numbered daily ideas for ‘inspiration’ for each day of the month of October, and respondents are then invited to post one original pen and ink piece per day, based on that ‘inspiration’ , on their favourite pen and ink site.

It’s fun and quite challenging. Herewith another example that I I have submitted for Inktober 2017.

Inktober Challenge. ‘Underwater’.
#Inktober#Inktober2017

‘Underwater’ (My interpretation of the word ‘Underwater’).

Technical Details: Unipin 0.8 nib black-ink pen on white 80gsm A4 paper.
Dimensions: 5 in. x 3.5 in.

Note: This scene frequently occurs in abandoned mines (in this instance a gold mine), where water gradually encroaches on the workings, and covers all that has been left behind, often to a considerable depth.. In the image, the rails of the railway along which the ore wagons used to run can be seen below water level, while the light from the viewer’s lamp reflects off the walls of the working and the water while also illuminating other parts of the mine visible in the distance.

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Inktober 2017: ‘Underwater’

BOOK REVIEW: ‘THE INGENIOUS VICTORIANS: WEIRD AND WONDERFUL IDEAS FROM THE AGE OF INNOVATION’

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Reviewer: NZ Crown Mines

Title: The Ingenious Victorians: Weird and Wonderful Ideas from the Age of Innovation

Author: John Wade

Total Number of Printed Pages: 288

Total Number of Illustrations: 139

Rating Scale (1: Very Poor, 10: Excellent): 8

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Many years ago, when discussing Victorian ‘inventiveness’ this reviewer was told that ‘The Victorians didn’t know something couldn’t be done, so went ahead  and did it anyway’. That, in essence, summarises this volume; the things that Victorians did because they didn’t know they couldn’t.

The author defines the ‘Victorian era’ as being the period 1837-1891 when Queen Victoria was Monarch  of both Great Britain and the lager British Empire,  this work  naturally tending to concentrate on the eccentricities, successes and failures of ‘inventive’ residents of Great Britain during this time.  As a result, the reader is introduced to such worthies as the builder of the Crystal Palace, the many inventors of the phonograph, and those involved in the design and construction of both Big Ben and the Houses of Parliament in London.  Many other individuals, some perhaps eccentric, who did feats of daring do during this period, also make their appearance  In addition, the subjects covered include such wonders as the world’s biggest camera, electric submarines and London’s well-known Cleopatra’s Needle. Although largely Anglo-centric in its focus, inventors and creations from Germany, France and the United States of America also make their appearance, their relevance to the topic under discussion being explained clearly and objectively.

This book is well written in a clear, easily-read and informative style. It consists of an Introduction, followed by 28 Chapters, each focusing on a specific subject. Within the individual chapter, photographs and engraved images provide visual reference to the subject under discussion. A Bibliography and Index are also provided, while the sources of the images used within the work are noted in a separate Picture Credits section.

Within this volume’s covers, and on the basis of its title, this reviewer expected to find examples of ‘Victorian Inventiveness and Ingenuity’ from both the United Kingdom itself, and from within the larger British Empire. The Victorian ‘Age of Innovation’ was, after all, a time where, as already noted, ‘The Victorians didn’t know something couldn’t be done, so went ahead and did it anyway’. In this expectation he was disappointed, finding instead that the work had a very definite United Kingdom, European and North American focus.

In addition (and despite the title) the work ignores Victorian inventiveness in the field of international commerce. In this reviewer’s opinion, the absence of such items (of which there were many) reduces its appeal and potential audience. Rather than being an authoritative discourse celebrating the inventiveness that saw Victorian Ingenuity accomplish the impossible in many parts of the world, the volume is inclined toward the ‘quirky’ rather than the practical. What results is essentially a narrative of curiousities and oddities.

There will undoubtedly be those who will purchase this work on the basis of the ‘oddities’ that it contains. Such buyers will be seeking a detailed recitation of the more eccentric aspects of the Victorian era, and for them this volume will serve that purpose well. Despite the emphasis on the ‘unusual’, purchasers seeking examples of commercial ‘Victorian Ingenuity’ could also find some of the information of use. Ultimately and despite the promise inherent within the title, for this reviewer, the eccentric has triumphed over the innovative and while the result is an interesting treatise, it could have been so very, very much more.

On a Rating Scale where 1: Very Poor, 10: Excellent, I would give it an 8.

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nzcrownmines is also available for book reviewing: Contact nzcrownmines@gmail.com

BOOK REVIEW: ‘THE INGENIOUS VICTORIANS: WEIRD AND WONDERFUL IDEAS FROM THE AGE OF INNOVATION’

Pages from a sketchbook: Working In The Dark – Literally

By its very nature, and irrespective of what is being extracted,  an underground mine is a dark place to work. It has, in fact been likened to ‘being buried-alive for eight hours a day’. There is, of course. little art to convey what this is like; since after all, black (intense, almost touchable black) is just that’ ‘black’.  However, the addition of light, whether from candles, carbide lamps or  electrical battery-powered lights attached to safety helmets  does (literally) brighten the scene and it is this that I have attempted to portray in the images presented below:

Titled:  ‘View from a Chamber towards a Shaft’. the first image attempts to convey the depth of the darkness (as shown in the entrance to the shaft visible in the background) and also the small amount of light given-off by the use of candles within the shaft chamber; the candles appearing as circles of light  with only a very small field of illumination around them and across the waiting ore wagon in the foreground.

Title:  ‘View from a Chamber towards a Shaft’.

Media: pen and Ink liner on 100gsm cartridge paper.

Owner: Artist’s own collection.

This work is copyright

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View from a Chamber towards a Shaft.

A scene with a similar theme appears below, and shows two miners using a Lyner-brand compressed-air rock drill at a working face. Again, the darkness is illuminated only by candles, and the area is full of shadows as a result.

Title: ‘Lyner Stoping Drill’

Media: pen and Ink liner on 100gsm cartridge paper.

Owner: Artist’s own collection.

This work is copyright

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Lyner Stoping Drill.

 

 

 

 

 

Pages from a sketchbook: Working In The Dark – Literally