BOOK REVIEW: ‘ Regional Tramways: Wales, Isle of Man & Ireland Post 1945’


Reviewer: Michael Keith

Title:  Regional Tramways: Wales, Isle of Man & Ireland Post 1945

Author: Peter Waller

Total Number of Pages: 181

Rating Scale (1: Very Poor, 10: Excellent): 7


According to the author (when writing in the volume’s Preface), ‘This is the fourth in a series…intended to cover all the tramways of the British Isles. Its focus is primarily on those tramway systems in Ireland, the Isle of Man and Wales that operated after 1945. However, it also provides an overview of tramway development from the horse-tram era onwards’. It is a succinct and informative summary.

As would be expected, a Contents page opens the volume. This is followed by a page titled Abbreviations, within which appear the abbreviations used by the author for the various tramways under discussion. The page also contains a separate (albeit ‘boxed’) Key to Maps section. This provides both visual and textual keys to the colours the volume’s Maps employ when denoting the status of the tramways they portray. The previously-mentioned Preface follows. This section functions in the dual roles of acknowledging those who have contributed towards the volume, while clarifying points within it which may be likely to cause confusion; ‘A note on Welsh place names’ being but one example of the latter. The book’s Introduction follows. This is a section of some size and is divided into four parts, the reason being (again, according to the author) because ‘…Each of the constituent parts of this volume were covered by separate legislation’. That detail notwithstanding, what results is a consolidated and ‘potted’ history of all the lines which appear within the volume. It also includes information which the author considered relevant to the narrative, but was unable to place inside the individual Company histories. The main part of the volume follows. This consists of 15 alphabetically-arranged ‘Sections’ (analogous to Chapters, but not defined as such). Of these, 14 narrate the story of a specific tramway, the content of the 15th (Preservation) being evident from its title. With the exception of Section 15, which contains only photographs and text, each Section follows a standard format. Sequentially, this consists of a Map of the system, (although for unknown reasons The Manx Electric Railway and the Snaefell Mountain Railway are not ‘map-equipped’), several pages of text and numerous photographs. The text itself also follows a format. This consists of a history of the tramway, and (through the use of subheadings), a list of the Depots (Locomotive-shed equivalents) that existed while the line was in existence, and the dates upon-which the system’s routes were closed and ceased to operate. Histories of the vehicles that each system employed are also given. These appear at the end of each Section and cover either classes or individual vehicles as appropriate. A 14-entry Bibliography placed after Section 15 completes the volume.  There is no Index, nor outline map of Wales, the Isle of Man or Ireland to place the tramways in context to the British Isles as a whole. The volume contains numerous monochrome and colour photographs. These are clear, clearly and informatively-captioned and from a variety of well-documented sources. Curiously, the first two words of each caption are presented in ‘bold’ format. Why this practice has been adopted is unknown. The Contents page contains no reference to the existence of images within the volume. The book also contains two colour images of tickets and a copy of a letter. These relate to the final day of operations of tramways in Cardiff.

Unfortunately, for this reviewer this book was let down by its lack of an Index. Prior to reviewing the volume he knew little about its subject and, in the absence of an Index, had absolutely no way of finding out more about the interesting subjects within the volume that he encountered. Who (for instance) were the Richardson family mentioned on pages 67 and 72? There was/is no way to know and no guarantee that even the most thorough search will in fact locate the information being sought. Similar arguments could be applied to such diverse subjects as equipment manufacturers, geographical locations or organisations. The lack of context-setting outline maps has been previously noted, while the text also contained small lapses of tense.

The matter of the Index notwithstanding, this volume is well-researched, well-written and easy to read. The author definitely knows his subject. As a result, this book is likely to appeal to those railway enthusiasts with a particular interest in all forms of street tramways within Wales, the Isle of Man and Ireland since 1945. It may also be of interest to those with a more ‘generalist’ interest in public transport within the British Isles while Historians with an interest in British and Irish Social History may find the images and text informative and useful. Railway modellers with street tramway interests may also be able to make use of the images that the volume contains. For visitors to the Isle of Man who have travelled on its tramways, this book might also be a worthwhile souvenir.

On a Rating Scale where 1: Very Poor, 10: Excellent: I have given this volume a 7.

It should have been higher.



BOOK REVIEW: ‘ Regional Tramways: Wales, Isle of Man & Ireland Post 1945’

BOOK REVIEW: ‘Castrum to Castle: Classical to Medieval Fortifications in the Lands of the Western Roman Empire’

88. castrum to castle

Reviewer: Michael  Keith Rimmer

Title:  Castrum to Castle: Classical to Medieval Fortifications in the Lands of the Western Roman Empire

Authors:  J.E. Kaufmann, H.W. Kaufmann,

Total Number of Pages: 278

Rating Scale (1: Very Poor, 10: Excellent): 9


According to this volume’s dustjacket, this book is the ‘First volume in a two-part study of the history of fortification from the time of the Romans to the renaissance’. A statement appearing on page viii further-defines its intent. This states that ‘This volume covers the history of the fortifications in the lands that were part of the Western Roman Empire and its successors from the first century to the fourteenth century. It concentrates mostly on England and France’. It also notes that ‘This work includes historical background associated with fortifications in addition to their descriptions’. It is a succinct and accurate description of what is to follow.

Within the book, a two-page Preface placed after the Contents page clarifies and defines the various eras (Dark Ages, Middle Ages etc.) which appear within it. This is followed by a two-paragraph Acknowledgements section which thanks those individuals and orgnisations which contributed to the work. The eight Chapters which form the main part of the volume then follow. These are arranged in sequence and follow the development of the ‘castle’-type structure from Roman times to the Fifteenth Century.  Each Chapter is subdivided into Subsections, and, where necessary, (and in support of the larger narrative), into even smaller sections within the individual Subsections. Within the smaller sections, the text will sometimes appear within a green-coloured rectangle. The volume contains no reference to the practice, but it would appear that it has been adopted to highlight information considered important by the authors. A Conclusion placed after Chapter 8 (From Wales to Italy-Twelfth to Fifteenth Centuries) act as a summary for what has gone before. The content of this work’s companion volume is also summarised. An Appendix follows. The title (Table of Monarchs), is self-explanatory in both content and format, and covers the period 1000-1555. Throughout the volume additional information is provided through the use of End-notes. These are Chapter-specific and sequentially-numbered within that Chapter. The relevant citations appear within a designated Notes section placed after the Appendix. The volume’s Glossary and  Bibliography sections follow, together-with an Index; the latter being the final section within the work.  The volume contains numerous monochrome and colour photographs, together with plans, maps, tables, half-tone drawings and paraphernalia relevant to the narrative.Although these are informatively captioned, only some indicate their sources, the origins of the majority being omitted. Although the Index states ‘Page numbers in italics refer to illustrations’, the Contents pages carry no references to their existence.

When reviewing this volume, this reviewer found the Index to be somewhat problematic.  While randomly searching for ‘entries of interest’ within that section, entries were noted as being either absent or with page numbers omitted. An Index-search on page 53 (for example) for both Birdoswald and King Arthur found no entries, while it was noted that Chester, although accorded an Index entry and three page numbers, did not include a reference to its existence on page 53. As this was a random sample on a single page, by implication other entries are also likely to have been omitted. How many, and where, cannot, of course, be known, but the mere fact that these ommissions have been found causes doubt and the authority and veracity of the Index is inevitably questioned. A small number of spelling mistakes was also noted.

The matter of the Index notwithstanding (and due to the comprehensiveness of its coverage), this volume bids fair to becoming a ‘Standard Reference Work’ on its subject. The quality of its research is such that it is likely to be of interest to scholars in a variety of fields, while equally, a ‘layman’ reader with an interest in ‘Castles’ and ‘Things Medieval’, may well find it worthy of attention. War gamers and military modellers may also find its content of interest.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 9.






BOOK REVIEW: ‘Castrum to Castle: Classical to Medieval Fortifications in the Lands of the Western Roman Empire’

BOOK REVIEW: ‘Seventy Years of Railway Photography: Seven Decades Behind the Lens’

87. boocock railway pics

Reviewer: Michael Keith

Title:  Seventy Years of Railway Photography: Seven Decades Behind the Lens

Author:  Colin Boocock

Total Number of Pages: 255

Rating Scale (1: Very Poor, 10: Excellent) 7


In this volume’s Preface, the author makes the following statement: ‘This book serves a modern need…by showing how anyone interested in railways can photograph them, and can keep up-to-date throughout a long photographic career as technology improves’. He then notes that ‘The book is also a celebration. The year 2017 marks the seventieth anniversary of the year in which I took my first railway photograph, 1947’. These statements are an excellent precis for what is to follow.

This volume is of the ‘Enthusiasts Picture Book’ genre of railway publications. However, unlike many of that genre, it has the bonus of both a well-written and very readable narrative and several sections about the actual process of railway photography; the latter being something rarely encountered within such books.

Within the volume itself, an Acknowledgements page placed immediately after the Contents page thanks those who contributed to the volume, while clarifying the matter of Copyright in respect of the small number of images that are not the author’s own. The author also notes that within the volume his ‘…Views are based on his own experience and cannot be attributed to the publisher or its agents’. A Preface follows. Within it the author simultaneously explains the volume’s rationale and clarifies various technical matters relating to the photographic equipment he has used over the years. The Preface is followed in turn by an Introduction within which the reader is introduced to both the origins of the author’s photographic passion and to descriptions of the various types of railway photography and the unique technical difficulties and solutions associated with these. The eight Chapters which comprise the bulk of the volume follow the Preface. Each Chapter covers a specific decade (for example The 1940s; The 2000s etc.). The Chapters are arranged in a standard format consisting of several pages of explanatory text outlining the author’s photographic adventures during that time, followed by a selection of photographs relevant to the narrative.  While initially the photographs are monochrome, over time (and as colour film became less expensive), these become increasingly of coloured format. Helpfully, and at the beginning of each collection of photographs, the author provides details of the camera/s used to take the images that are to follow. The Chapters are in turn followed by four Appendices.  According to the author ‘These appendices draw on my experience over the years’, and are devoted to the ’technical’ aspects of photography.  A two-line Postscript conveys St. Augustine’s thoughts on travel. It is the volume’s final section.  The book contains neither Index or Maps, nor a list of the photographs within it.

Unfortunately while this volume is both well-written and copiously illustrated, for this reviewer it is badly let down by the lack of an Index, with the additional lack of any Maps serving to compound the problem. In this reviewer’s opinion, without the assistance of an Index, it is unreasonable to expect a casual reader to (for example) know where an image of Ryde Pier Head (page 47) might be found, where a Eurostar (page 153) is located within the volume, or where to look to learn about Mobile phones as a useful photographic device (pages 242-243). The absence of such assistance reduces this volume to essentially a ‘Collection of Pretty Pictures’ with some useful words thrown in – if the latter can be found! A similar situation pertains to the lack of Maps; where (for instance) is Grindleford (page 81) or AoBaoGou (page 177)? The average reader (especially if they are a layman) cannot be expected to have to repeatedly confer with refer to an atlas when perusing this volume. Again, this lack reduces the volume’s value, particularly to the ‘off-shore’ reader not familiar with the geography of the British Isles (the book’s primary area of focus).

Because it provides a unique photographic record of the period 1947-2017, there is no doubt that this volume will appeal to readers with an interest in the railways of Great Britain over that time. In many instances, the images capture now-departed aspects of British culture, and as a result, Social Historians might also find the volume useful as a research tool. Photographers and railway modellers are likely to find the images and articles relating to their interests useful, with the qualified assumption (due to the lack of an Index) that they can actually locate such material. Non -‘railway enthusiast’ readers looking for pictures of ‘pretty trains’ might also find it worthy of their attention. In summary: An excellent, well written and very informative volume; a shame about the Index and Maps

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7.

It should have been much higher.


BOOK REVIEW: ‘Seventy Years of Railway Photography: Seven Decades Behind the Lens’

BOOK REVIEW: ‘A Soldier’s Kipling: Poetry and the Profession of Arms’

86. a soldier's kipling


Reviewer: Michael Keith

Title:  A Soldier’s Kipling: Poetry and the Profession of Arms

Author: Edward J. Erickson

Total Number of Pages: 204

Rating Scale (1: Very Poor, 10: Excellent):


When writing in this volume’s Preface, the author notes that the book ‘…Explores a selection of Rudyard Kipling’ military poetry relating to how the British Army waged its campaigns during what are called ‘Queen Victoria’s Little Wars’. He also notes that  ‘Kipling’s military poetry offers insights into the profession of arms’  and that his ‘…Intent for the reader is…to generate an appreciation for Rudyard Kipling’s military poetry and for the timeless themes about the nature of soldiering and the profession of arms contained in these verses’. In all these endeavours, the author has been successful.

As would be expected, the volume opens with a Contents section. This is three pages in length and within in it each poem is listed under the relevant Chapter. This provides a quick reference for a specific work and obviates the need to search the Index for a specific title. In a reversal of usual practice, a Dedication is placed immediately after the Contents section, and is itself followed by an Acknowledgements section. Within this, thanks are tendered for the organisations and individuals who contributed to the volume, and the reader is introduced to Kipling’s poetry through ‘When ‘Omer smote ‘is bloomin’ lyre…’ a selection appropriate for the location. A List of Maps follows, the title being self-explanatory, and this is, in turn followed by a List of Plates. This summarises the captions found under the 20 colour images appearing within a designated section at the centre of the volume. The existence of that section is not however mentioned on the Contents page. A Foreword appears next and is in turn followed by the previously-mentioned Preface. This summarises what is to follow, and, through the use of subsections, presents the author’s viewpoint concerning his subject and outlines the volume’s themes. It also offers the author’s thoughts as to how it should be read.  The Preface is followed by the eleven Chapters which comprise the main part of the volume. As previously noted, the volume follows a specific theme; summarised as the development of a soldier from a raw, untrained recruit (Chapter 1 Becoming Tommy Atkins – Learning to Soldier), to being a professional in his field. This is not however merely a recital of military service, and there is much, much more, all examined through the lens of Kipling’s poetry. The experiences of returning veterans are investigated, as is patriotism (both real and imagined) and, in Chapter 11 a non-military section titled Kipling for Fun. The title is self-explanatory and includes many of Kipling’s well-known, non-military verses. Within each Chapter, a designated Introduction sets the scene for what is to follow. Several poems relevant to the Chapter then appear. These are presented as subsections within the Chapter and are accompanied by relevant explanatory notes and interpretation of the verses from a military perspective. Where applicable, page-specific Footnotes are provided to clarify terminology or expand / interpret words appearing within a specific poem. Two Appendices follow Chapter 11. The titles (Britain’s Wars, Campaigns and Expeditions (and covering the period 1701-1939) and Brief Biography of Rudyard Kipling) are self-explanatory. A section titled Further Reading follows Appendix 2. This is bibliographical in nature and function and is in turn followed by the volume’s Index; its final section. The volume contains 10 Maps, and, as already noted, a 20-image colour section. Although well and informatively captioned, the images in the latter section are unsourced, and not referred-to within the Index.

When reviewing this volume, this reviewer found the Index problematical. While undertaking a random search in the course of his review, he found numerous examples where events he considered worthy of inclusion within the narrative were not to be found within the Index. To take page 79 as an example; references to The Jacobite Rebellion, Williamites and the Treaty of Limerick on that page do not appear within the Index. Equally, the Index-entry to the Charge of the Light Brigade contains no reference to the evocative image that is listed as Plate 3. It would also be reasonable for the Index to record the names of the various publications in which the poems first appeared (the English Illustrated Magazine on page 101 being but one example), or even the names of collections (The Seven Seas on the same page), yet these are also missing. Such absences serve to reduce the authority and reliability of the Index, and inevitably raise questions concerning what else may be missing. There is no way to know.

The matters referred-to above notwithstanding, this reviewer found this volume a delightful, well written, informative and (above all), memorable, volume, to the extent that it bids fair to become a Standard Reference Work on its subject. Such is the universality and appeal of Kipling’s work, this volume is likely to have a wide range of readers; from literary and military scholars and students, to members of the armed forces, to both military, political and ‘generalist’ historians and those interested in ‘Queen Victoria’s Little Wars’. Military modellers may also find the colour plates useful as research tools, while readers seeking merely to be entertained on a wet Sunday afternoon could do well to peruse its content, if only to laugh at the accents and marvel at the genius of the poetry and the way things were when ‘Britannia ruled the World’.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8¾.



BOOK REVIEW: ‘A Soldier’s Kipling: Poetry and the Profession of Arms’