BOOK REVIEW: ‘All Things Georgian: Tales from the Long Eighteenth Century’

97. ALL THINGS GEORGIAN

Reviewer: Michael Keith

Title: All Things Georgian: Tales from the Long Eighteenth Century

Authors: Joanne Major, Sarah Murden

Total Number of Pages: 170

Rating Scale (1: Very Poor, 10: Excellent): 7

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When describing the contents of this volume, its Dustjacket notes that it is a ‘…Collection of twenty-five true tales‘…’In roughly chronological order, covering the reign of the four Georges, 1714-1830 and set within the framework of the main events of the era’. It also notes that within it, the reader will ‘Meet actresses, whores and high-born ladies, politicians, inventors, royalty and criminals…’ It is an accurate summary of what follows.

Within the book itself, an Acknowledgments section is placed immediately after the Contents page. As would be expected, it thanks those individuals and organisations who assisted the authors in the preparation of the volume. This is in turn followed by an Introduction. Within this, two sub-sections provide both historical background to the era and of the Hanoverian royal dynasty which so-dominated the United Kingdom during the time under discussion. A section titled Timeline of Events Relevant to the Long Eighteenth Century follows; its title is self-explanatory. The 25 Chapters which form the main part of the work now appear. As previously-noted these comprise 25 stories relating to the activities of various notorious and well-known individuals within Eighteenth Century Britain and Europe. It should be noted that of the 24 tales presented (Chapter 25 being a summary of the era) 19 could be described as ‘Female focussed’. The reasons for this are unknown. A section titled Notes and Sources follows Chapter 25. As indicated by its title, it is equivalent to a Bibliography. The final section of the volume is an oddity, and consists of three pages listing books written by the authors, together with accompanying reviews. The section is unashamedly self-promotional and whether it is appropriate for the volume is something that only the reader can decide. There is no Index. The volume is well illustrated with both monochrome and colour images including plans and other images relevant to the narrative. Where possible the individual being discussed within each Chapter, is also depicted. However, a lack of such images has meant that at times these are of the ‘supporting cast’ to the tale. Although the images are certainly captioned and carry the appropriate citations, for a large number, the captions are single-sentence in format and can best be described as being ‘adequate’. It should be noted that, in several instances, although there was no ‘cross-referencing’ between the two sections, (text and image) it appeared that the reader was expected to associate the image with the text they were reading. The volume contains numerous Quotes. However, these do not carry supporting citations and in the absence of the latter, the authenticity of said Quotes must inevitably be questioned, together with their value as a research tool.  The volume contains one Map. This is an outline of the British Isles, and carries the names of various locations that are apparently mentioned within the volume. It does not however have a formal title, leaving the reader to guess at its function and usefulness, while its existence does not rate a mention on the Contents page.

As previously-noted, the volume has several ‘mechanical’ shortcomings, including the lack of an Index, unsupported Quotes, an untitled Map and Captions which are, at best, ‘adequate’. These are not unexpected. However, when requesting this volume for review purposes, and on the basis of its title (All Things Georgian: Tales from the Long Eighteenth Century) this reviewer expected to find a social history of the period. To a limited degree that is what he received, with the qualification that such information was an adjunct to the narrative rather than its focus. He did not however expect to meet the ‘… Actresses, whores and high-born ladies, politicians, inventors, royalty and criminals’ previously mentioned, to the extent that the endless repletion of the activities of such individuals became monotonous and (eventually) boring. The writing and research was excellent, but the basic topic (humankind’s largely-sexual failings), when repeated over and over again, deprived the volume whatever literary charm it might have held.

Undoubtedly this volume will appeal to those with an interest of any kind in the lifestyles of the Eighteenth Century’s rich and famous. Social historians might also find it useful, while readers with an interest in the art and architecture of the era may also find it worthy of their perusal.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this book a 7.

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BOOK REVIEW: ‘All Things Georgian: Tales from the Long Eighteenth Century’

BOOK REVIEW: ‘The Analogue Revolution: Communication Technology 1901-1914’

92. Analogue Technology

Reviewer: Michael Keith

Title:  The Analogue Revolution: Communication Technology 1901-1914

Author: Simon Webb

Total Number of Pages: 158

Rating Scale (1: Very Poor, 10: Excellent): 7 ½

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In this volume’s Introduction, the author observes the ‘The roots of our modern Information Revolution are to be found in the Edwardian Era’. With that pronouncement made, he then proceeds to provide reasoned and well-considered argument to support his case, using the Twenty-first Century’s Digital Revolution as a reference point for what follows. The result is a well-written, well-researched, highly informative and eminently-readable volume

Within the volume, a List of Plates immediately behind the Contents page lists, in abbreviated form, the captions carried by the 20 images appearing within an eight page images’ section in the book’s centre. The ‘List, is in turn followed by an Introduction. Within this the author precis’ what is to follow within the 10 Chapters which form the bulk of the volume.  The Chapters take the reader from the Victorian-era to the start of World War I and, in Chapter 10, to The Enduring Legacy of the Analogue Revolution, in which he discusses the ‘The astonishing durability of the physical manifestations of the information technology perfected during the Edwardian period’ and the reasons why such machinery is still ‘earning its keep’ over a century after it was originally constructed. An Endword follows. In this the author considers the similarities and differences between the current Digital Age and its Edwardian predecessor, and presents his thoughts as to what the future might hold. A two-page Bibliography follows, and is in turn followed by the Index; the volume’s final section. As previously-noted there is a small (eight page), ‘images’ (Plates) section at the centre of the volume. In addition to the usual photographs, the images appearing within it include postcards, advertisements, plans and etchings. All are monochrome, informatively and clearly captioned and are alluded to within the volume when appropriate to the narrative.

As already noted, this volume is well-written, well-researched, highly-informative and eminently readable. For this reviewer however, it is let down by its Index. While reviewing a volume, this reviewer randomly looks in its Index for words which interest him. When reviewing this volume however, he found that, in many instances, the words being sought did not appear within the Index. While numerous examples could be presented, those found on page 52 will suffice.  With words such as Port Arthur, Alan Moorhead, St Petersburg, and Petrograd appearing on that page it would be reasonable to expect to find them in the Index. Such was not the case, while the omission of Frederick Lee (on page 57, and despite appearing in the same sentence as Edward Turner; his fellow patentee) is even more curious. The omissions were both widespread and random, to the extent that this reviewer eventually ceased to rely on the Index as a reliable source of information. He now has serious reservations about the Index’s authority and veracity. Unsourced Quotes have been used throughout the volume. In the absence of verifying citations, they have little research value and authority and, indeed, could well have been written by anyone.  How important such things might be will, of course, depend on the reader / purchaser’s requirements.

Due to the width of its research, and despite the ‘limitations’ previously described, this volume bids fair to become an authoritative work on its subject. As it combines both technology and social history, this volume is likely to appeal to Historians with an interest in either or both of these subjects, particularly in the context of Great Britain in the Nineteenth and early Twentieth Centuries.  Those with a specific interest in the invention and use of such things as Cinema, the Telephone, Radio /Wireless etc. may also find the volume of interest, while due to its easy-to-read style layman-readers wishing to learn more about the origins of both ‘Digital’ and Analogue’ technologies, and their inter-relationships, may also find it worthy of their attention.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7 ½.

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BOOK REVIEW: ‘The Analogue Revolution: Communication Technology 1901-1914’

BOOK REVIEW: ‘Castrum to Castle: Classical to Medieval Fortifications in the Lands of the Western Roman Empire’

88. castrum to castle

Reviewer: Michael  Keith Rimmer

Title:  Castrum to Castle: Classical to Medieval Fortifications in the Lands of the Western Roman Empire

Authors:  J.E. Kaufmann, H.W. Kaufmann,

Total Number of Pages: 278

Rating Scale (1: Very Poor, 10: Excellent): 9

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According to this volume’s dustjacket, this book is the ‘First volume in a two-part study of the history of fortification from the time of the Romans to the renaissance’. A statement appearing on page viii further-defines its intent. This states that ‘This volume covers the history of the fortifications in the lands that were part of the Western Roman Empire and its successors from the first century to the fourteenth century. It concentrates mostly on England and France’. It also notes that ‘This work includes historical background associated with fortifications in addition to their descriptions’. It is a succinct and accurate description of what is to follow.

Within the book, a two-page Preface placed after the Contents page clarifies and defines the various eras (Dark Ages, Middle Ages etc.) which appear within it. This is followed by a two-paragraph Acknowledgements section which thanks those individuals and orgnisations which contributed to the work. The eight Chapters which form the main part of the volume then follow. These are arranged in sequence and follow the development of the ‘castle’-type structure from Roman times to the Fifteenth Century.  Each Chapter is subdivided into Subsections, and, where necessary, (and in support of the larger narrative), into even smaller sections within the individual Subsections. Within the smaller sections, the text will sometimes appear within a green-coloured rectangle. The volume contains no reference to the practice, but it would appear that it has been adopted to highlight information considered important by the authors. A Conclusion placed after Chapter 8 (From Wales to Italy-Twelfth to Fifteenth Centuries) act as a summary for what has gone before. The content of this work’s companion volume is also summarised. An Appendix follows. The title (Table of Monarchs), is self-explanatory in both content and format, and covers the period 1000-1555. Throughout the volume additional information is provided through the use of End-notes. These are Chapter-specific and sequentially-numbered within that Chapter. The relevant citations appear within a designated Notes section placed after the Appendix. The volume’s Glossary and  Bibliography sections follow, together-with an Index; the latter being the final section within the work.  The volume contains numerous monochrome and colour photographs, together with plans, maps, tables, half-tone drawings and paraphernalia relevant to the narrative.Although these are informatively captioned, only some indicate their sources, the origins of the majority being omitted. Although the Index states ‘Page numbers in italics refer to illustrations’, the Contents pages carry no references to their existence.

When reviewing this volume, this reviewer found the Index to be somewhat problematic.  While randomly searching for ‘entries of interest’ within that section, entries were noted as being either absent or with page numbers omitted. An Index-search on page 53 (for example) for both Birdoswald and King Arthur found no entries, while it was noted that Chester, although accorded an Index entry and three page numbers, did not include a reference to its existence on page 53. As this was a random sample on a single page, by implication other entries are also likely to have been omitted. How many, and where, cannot, of course, be known, but the mere fact that these ommissions have been found causes doubt and the authority and veracity of the Index is inevitably questioned. A small number of spelling mistakes was also noted.

The matter of the Index notwithstanding (and due to the comprehensiveness of its coverage), this volume bids fair to becoming a ‘Standard Reference Work’ on its subject. The quality of its research is such that it is likely to be of interest to scholars in a variety of fields, while equally, a ‘layman’ reader with an interest in ‘Castles’ and ‘Things Medieval’, may well find it worthy of attention. War gamers and military modellers may also find its content of interest.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 9.

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BOOK REVIEW: ‘Castrum to Castle: Classical to Medieval Fortifications in the Lands of the Western Roman Empire’

BOOK REVIEW: ‘The Armistice and the Aftermath: The Story in Art’

84. ARMISTACE AND ART

BOOK REVIEW

Reviewer: Michael Keith

Title:  The Armistice and the Aftermath: The Story in Art

Author:  John Fairley

Total Number of Pages: 192

Rating Scale (1: Very Poor, 10: Excellent): 7½

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When describing this volume’s content,  a note on its dustjacket states that ‘…The Armistice and the Aftermath…brings together in one book a superb collection of the most epic paintings of the [World War I] era. The result, with informed and perceptive commentary is a unique record of those momentous days…’ It is an accurate summary of what is to follow.

The volume consists of 40 Chapters, these appearing immediately after the two page Contents section. There are none of the usual introductory sections one would expect to find within such a volume as this. While each Chapter nominally contains at least one full-page art work, in at least one instance (The Wartime Leaders, Chapter Forty), the image is out of sequence and appears before the section rather than within it. As it loses a certain relevance by doing-so, the reasons for this ‘displacement’ are unknown. While the majority of art works within the volume are from British, French or American artists, pieces by German artists also appear. The works displayed are in a variety of media, and are accompanied by an informative narrative. By this means, the reader is taken through the last year of the War, the first years of the Peace, while being introduced to important individuals, groups and occasions while so-doing. Where appropriate to the narrative, eyewitness descriptions also appear. It must however be noted that in some instances (and again for unknown reasons), the author of this volume does not consider it necessary to specifically name each plate within the text which accompanies it. In such situations he prefers to allude to it rather than name it specifically. Chapter 12 (Peace in the Mediterranean) is a case in point. Although four images appear within that Chapter, at no time are they specifically named; referred-to certainly, but not actually named. In addition, in several instances, the images that appear within a specific Chapter are not even mentioned within the text that supposedly relates to them.  They are instead used as vehicles to present the artist’s thoughts on the events which prompted their eventual creation. The images of HMS Mantis on the Tigris and The Navy at Baghdad  which appear in Chapter 11 (Peace in the Middle East), are but two such examples of this practice. Neither image is mentioned within the text, but the wartime reminiscences of their creator (David Maxwell) are. On the basis of the above, a reader expecting a detailed description of the individual images and their creation is likely to be disappointed. Most, but not all, of the images are captioned, the information provided tending-to consist of the individual piece’s title and the name of the creating artist. It was however noted there were several exceptions to this rule. An Appendix (The Armistice Terms) follows Chapter 40. Its title is self-explanatory. The Appendix is in turn followed by the volume’s final section titled Picture Credits. The title is self-explanatory but while naming the sources of the images, it also lists the pages within the volume on which they appear. This book contains neither Maps nor Index, and aside from the previously-mentioned Picture Credits section, the Contents pages contain no mention of those images which appear within the volume. Numerous unsourced Quotes appear throughout the work. Without supporting citations, their authenticity is inevitably under question; they might just as well be imaginary. A Glossary would have been of value: what for instance is Post Expressionist Painting (page 169)?

While this is a most-informative volume, for this reviewer it is let down by the total absence of an Index. As a result, a reader has no way of knowing which artists and individuals are mentioned within the book; which artistic works are represented, which geographical locations are mentioned, or which military actions have been recorded or commented-on. In the absence of such information, he believes it is both unreasonable and time-consuming to expect a reader to have to search through the volume’s 192 pages in a possibly-fruitless attempt to locate a specific individual, piece of art, geographical location or event. In his opinion this is a major failing, which serves to significantly-reduce the volume’s usefulness. The lack of Maps is also unhelpful as it gives a reader neither context nor location for the events mentioned within the narrative. Although the lack of citations for Quotes has been previously-mentioned, the presence of undefined terms is also unhelpful. What (for example) is ‘…The local Murdoch newspaper (page 165)? Who / what, was ‘Murdoch’? Why is he / it associated with a newspaper? In the absence of clarifying detail, such a statement is, at minimum, baffling, and to many, the reasons being unexplained, probably totally incomprehensible.

As the focus of this volume is on art, the works appearing within its pages are likely to be of interest to aficionados of such matters, while Historians and ‘Generalist’ readers with an interest in World War I may also find it of interest. As they portray contemporary military machinery, it is also possible that military modellers might find some of the images useful as reference material.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7½.

It should have been much higher.

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BOOK REVIEW: ‘The Armistice and the Aftermath: The Story in Art’

BOOK REVIEW: ‘The History of the Channel Tunnel: The Political, Economic and Engineering History of an Heroic Railway Project’

82 Channel tunnel

Reviewer: Michael Keith Rimmer

Title:  The History of the Channel Tunnel: The Political, Economic and Engineering History of an Heroic Railway Project

Author: Nicholas Faith

Total Number of Pages: 223

Rating Scale (1: Very Poor, 10: Excellent): 5

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In the Introduction to this volume, the author notes that, in his opinion ‘The tunnel itself is an extraordinary achievement’ and that, in writing this book he is ‘…Trying, for the first time, to cover the whole story’ of the tunnel, its origins, history and the political machinations that attended its creation. The intent is admirable, but how much of the volume’s content is true?

This reviewer found himself asking that question after reading (on page 65), the following sentence `…A list of the meetings…which I have slightly embellished…’, the key word in this instance being ‘Embellished’.  The Oxford English Dictionary, when defining ‘Embellish’, states that to do so is to ‘Make (a statement or story) more interesting by adding extra details that are often untrue’.  The author’s admission that he ‘Slightly embellished’ the events he relates, inevitably raises the probability that, if ‘Embellishment’ (even if only ‘slightly’), has occurred once within this book, it is unlikely to have been an isolated instance. The volume  being now compromised by the author’s own words, the question to be asked is, ‘How much of what appears within this book is in fact ‘true’ (with ‘true’ being defined as ‘An accurate representation of what actually occurred’)?  There being no way to know, and with ‘Scepticism’ now attending every word, the volume’s reputation and authority has inevitably suffered.

Within the volume, a Dedication is placed immediately behind the Contents page, with tribute being paid ‘To the memory of Sir Alistair Morton, ‘the pilot who weathered the storm’.  This is in turn followed by an Introduction, which section precis what is to follow. The volume proper now appears. It consists of five Parts, these being equivalent to sections. The Parts cover the history of the tunnel, its construction and the political and mercantile events associated with it. The volume also contains 15 Chapters. Several of these appear within each Part, acting as ‘Sub-sections’ under the larger Part / Section heading, and relating relevant events associated with the latter. As an example, Part 3 (Decision) contains Chapters 4 (Together, at Long, long, last), 5 (Towards a Final Decision), and 6 (Alistair Morton – and Other Heroes), all these being sections relevant to the broader Part (section) heading Decision.  A section titled Bibliography follows Chapter 15 (‘Sometimes miracles happen’).  This details the printed media used in the writing of this volume, and is in turn followed by a 13-page Index, the book’s final section. Notably, the Contents page contains no reference to the existence of the Index.  A 16-page Images section placed in the centre of the volume contains a variety of relevant colour and monochrome images, plans, portraits, cartoons, charts and the volume’s only Map. The images are informatively captioned and from a variety of sources. Neither the Contents page nor the Index makes mention of their existence. Despite the use of numerous Acronyms and ‘Official’ letter combinations, no ‘quick-reference’ Glossary is provided.  The numerous quotes that the volume contains, carry no authenticating citations; they might just as well be imagined…

As already noted, for this reviewer, the authority of the information contained within this volume has been compromised by the author’s actions. There were however additional ‘difficulties’, with the Index being especially problematical.  As would be expected, this work is focussed on its subject, the Channel Tunnel, and congruent with that focus it would be reasonable to expect that its Index would list those locations, individuals and organisations mentioned within its pages. Unfortunately it does not do so, and in the course of random searching this reviewer found numerous examples where this was the case. Included were such entries as London and North Western Railway (page 41), Brockton Barn (page 184), and NCM Communication (page 203), these being organisations and locations considered worthy of inclusion within the volume, yet not important enough to grace the Index.  The existence of unsourced Quotes, lack of a Glossary and of mention of both the Index and Images sections on the Contents page have already been noted. An outline map of Great Britain would also have been helpful to place the Tunnel and its associated rail infrastructure in context.

This volume may be of interest to a wide variety of readers. These could include Political Scientists, Students of Commerce, Railway Historians, those with a general interest in British transport history, Mining Professionals  and even railway enthusiasts interested  in ‘modern era’ British Railways. However (and for reasons previously-outlined), it has been compromised both by its author’s actions, and the ‘difficulties’ mentioned above. It is undoubtedly a ‘sincere’ book, written to explain a complicated situation and doing it well, but, in this reviewer’s opinion, it cannot be viewed as an ‘Authoritative Work’. ‘Embellishment’, however ‘Slight’, comes at a cost. Were that it was not so.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 5.

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BOOK REVIEW: ‘The History of the Channel Tunnel: The Political, Economic and Engineering History of an Heroic Railway Project’

BOOK REVIEW: ‘The History of the Port of London: A Vast Emporium of All Nations’

81. History of the Port of London

Reviewer: Michael Keith

Title: The History of the Port of London: A Vast Emporium of All Nations

Author: Peter Stone

Total No. of Pages: 250

Rating Scale (1: very poor; 10: excellent):

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At the time of the Great Exhibition of 1851, London was described as being ‘The workshop of the world’. It was, according to the author of this volume, ‘…The [British] Empire’s economic capital… and at the heart of the vast emporium was the Port of London’. This book is that port’s story.

To state that this book is comprehensive is to be given to understatement. It is well researched, well-written and quite readable, with the qualification that it is more thesis than light romance. Because of its subject, it is also very wide-ranging in its narrative. When reading it the reader is taken from the Ice Age and the formation of both the British Isles and the River Thames, to the Twenty-first Century (specifically 2017), and the problems attendant to redeveloping a port system which technology and commerce have now passed-by. In the course of this perambulation through time, the reader partakes in the social and maritime histories which moulded and influenced the port and its surrounds, together with the occasional dose of warfare and politics for good measure. The result, as previously noted, is comprehensive and readable. It is also extremely interesting.

The bulk of this volume consists of eight Chapters preceded by an Acknowledgements section where tribute is paid to those who assisted the author in creating the book. That is in turn followed by a Preface This is six pages in length and summarises what is to follow. The Chapters are divided into sequential blocks, with each covering a specific time period. Subheadings within each Chapter provide additional detail about a specific topic appearing within that section. Reproductions of five lithographs appear within the volume to illustrate relevant points of the narrative.  They are supplemented by sixteen photographs placed within a small section in the book’s centre. The images are informatively captioned, although several give no indication of their source. There is no reference to the existence of the images (or even of the ‘Photographic’ section per se’) on the Contents page or within the Index. The volume also contains several Maps. These show both the development of the port itself over the centuries and its relationship to Great Britain, Europe and the larger world. As with the previously-mentioned images, neither the Contents page nor the Index contains any reference to the existence of Maps within the volume. A Selective Bibliography is placed after the last chapter, the author noting that the titles it contains ‘…Have been consulted to varying degrees’. An Index completes the volume. While comprehensive, this reviewer found the presence of unexplained italicised words within the Index puzzling.

While some were evidently the names of ships, others appeared to be Latin in origin. Unsourced quotations also appear within the volume. The discovery that HMS Belfast (p. 222) was a ‘Battle cruiser’ instead of her designated class of ‘Light Cruiser’ was also of interest. This reviewer hopes that this misclassification was only an isolated aberration and not indicative of other, similar, errors. There is no way to know.

Because it covers a multitude of topics under the broad umbrella of being a ‘History’ of the specific Port of London area, this book it is likely to have a wider audience than just those interested in ‘ships and the sea’. By default it is also a ‘Social’ history; its descriptions of social behaviour and micro-societies associated with the Port of London being possibly useful to social historians as a result. Political Researchers investigating British politics and their effect on the Port of London and international trade may also find it interesting. Those with an interest Twentieth Century warfare in general and the World War II London ‘Blitzes’ in particular,  may also find it worth perusing.

On a Rating Scale where 1: very poor; 10: excellent), I have given it an 8½.

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BOOK REVIEW: ‘The History of the Port of London: A Vast Emporium of All Nations’

BOOK REVIEW: ‘Duel Under The Stars: The Memoir of a Luftwaffe Night Pilot in World War II’

70. TO USE DSCF2821 (3)

BOOK REVIEW

Reviewer: Michael Keith

Title: Duel Under The Stars: The Memoir of a Luftwaffe Night Pilot in World War II

Author: Wilhelm Johnen

Total Number of Printed Pages: 320

Rating Scale (1: Very Poor, 10: Excellent): 8

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In his Foreword to this volume, James Holland (According to the book’s dust-jacket fly-leaf; ‘…An award-winning and internationally acclaimed historian, writer and broadcaster’), states ‘The best war memoirs are those that feel honest and appear to be written as a cathartic process rather than for a specific audience. They are not so obviously self-conscious and the writer and his voice emerge as a clearly-defined and real character’. This is one of those memoirs. Holland continues ‘ This…book  paints a…picture of what it was like to be at the coalface of the Allied bomber onslaught and reminds us of the unquestioned courage of the Luftwaffe crew sent to meet this menace’. It is an excellent summation.

This volume is a reprint of an English-language edition first published in 1957. It is prefaced by the previously-mentioned Foreword and is followed by 19 Chapters of varying length. While Chapter One (The First Kill By Night) provides historical background for German night-fighting operations, it simultaneously introduces the author to the reader and recounts his first ‘adventures’ in night flying. In the Chapters that follow, the author takes the reader from his first aerial combat to his final operations and the end of World War II in Europe. In between these events (and to again quote Holland), what emerges is ‘Fascinating…and perhaps surprisingly humane…’ It is indeed both of those things. Although The Contents page contains no mention of their existence, the volume contains four ‘blocks’ of unsourced black and white photographs. Three of these are of aircraft-types, personnel and technologies relevant to the narrative, the fourth being of the author’s contemporary night-fighter pilots and commanders.  No Maps or Index are provided and the volume contains no Technical Specifications or Three-view drawings of the aircraft-types the author flew.

For this reviewer, the volume was let down by its lack of both Index and Maps. An Index would have simplified searching for places, personnel, aircraft-types and events within the narrative. As there are many of these, the absence of an Index means that searching for a specific object (with no guarantee of success) becomes analogous to seeking the proverbial needle within a haystack. It is unfortunate that the opportunity was not taken to create such an entity (an Index) prior to republication. In addition (and as many of the locations mentioned within the volume underwent name changes in the Post-World War II period), Maps showing where the author served (with appropriate post-war modifications) would have been helpful. The volume’s narrative ends abruptly on 28 April 1945 with the cessation of hostilities in Europe. Not-unreasonably, a reader might wonder ‘What happened next; what became of the author’? Despite there being no indication of Herr Johnen’s fate within the book itself, the dust jacket flyleaf indicates that he did in fact have a ‘Life after the War’. As dustjackets can frequently become lost, it is regrettable that this ‘fly-leaf’ information was not printed as an Addendum to the larger narrative. Specifications and Three-view drawings of the aircraft-types flown by the author would have been both useful additions to the volume and helpful to the narrative, although it is appreciated that this information may not have been available at the time of original publication.

It is probable that this volume will have wide appeal. Readers with an interest in the World war II-era Luftwaffe (especially in night operations against the Royal Air Force), military aviation or World War II in general may find it of interest. Aircraft modellers may also find the photographs a useful resource, while those seeking an undemanding, well-written and easily-read ‘War Book’ may also find it an enjoyable read.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8.

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BOOK REVIEW: ‘Duel Under The Stars: The Memoir of a Luftwaffe Night Pilot in World War II’