BOOK REVIEW: ‘The Analogue Revolution: Communication Technology 1901-1914’

92. Analogue Technology

Reviewer: Michael Keith

Title:  The Analogue Revolution: Communication Technology 1901-1914

Author: Simon Webb

Total Number of Pages: 158

Rating Scale (1: Very Poor, 10: Excellent): 7 ½


In this volume’s Introduction, the author observes the ‘The roots of our modern Information Revolution are to be found in the Edwardian Era’. With that pronouncement made, he then proceeds to provide reasoned and well-considered argument to support his case, using the Twenty-first Century’s Digital Revolution as a reference point for what follows. The result is a well-written, well-researched, highly informative and eminently-readable volume

Within the volume, a List of Plates immediately behind the Contents page lists, in abbreviated form, the captions carried by the 20 images appearing within an eight page images’ section in the book’s centre. The ‘List, is in turn followed by an Introduction. Within this the author precis’ what is to follow within the 10 Chapters which form the bulk of the volume.  The Chapters take the reader from the Victorian-era to the start of World War I and, in Chapter 10, to The Enduring Legacy of the Analogue Revolution, in which he discusses the ‘The astonishing durability of the physical manifestations of the information technology perfected during the Edwardian period’ and the reasons why such machinery is still ‘earning its keep’ over a century after it was originally constructed. An Endword follows. In this the author considers the similarities and differences between the current Digital Age and its Edwardian predecessor, and presents his thoughts as to what the future might hold. A two-page Bibliography follows, and is in turn followed by the Index; the volume’s final section. As previously-noted there is a small (eight page), ‘images’ (Plates) section at the centre of the volume. In addition to the usual photographs, the images appearing within it include postcards, advertisements, plans and etchings. All are monochrome, informatively and clearly captioned and are alluded to within the volume when appropriate to the narrative.

As already noted, this volume is well-written, well-researched, highly-informative and eminently readable. For this reviewer however, it is let down by its Index. While reviewing a volume, this reviewer randomly looks in its Index for words which interest him. When reviewing this volume however, he found that, in many instances, the words being sought did not appear within the Index. While numerous examples could be presented, those found on page 52 will suffice.  With words such as Port Arthur, Alan Moorhead, St Petersburg, and Petrograd appearing on that page it would be reasonable to expect to find them in the Index. Such was not the case, while the omission of Frederick Lee (on page 57, and despite appearing in the same sentence as Edward Turner; his fellow patentee) is even more curious. The omissions were both widespread and random, to the extent that this reviewer eventually ceased to rely on the Index as a reliable source of information. He now has serious reservations about the Index’s authority and veracity. Unsourced Quotes have been used throughout the volume. In the absence of verifying citations, they have little research value and authority and, indeed, could well have been written by anyone.  How important such things might be will, of course, depend on the reader / purchaser’s requirements.

Due to the width of its research, and despite the ‘limitations’ previously described, this volume bids fair to become an authoritative work on its subject. As it combines both technology and social history, this volume is likely to appeal to Historians with an interest in either or both of these subjects, particularly in the context of Great Britain in the Nineteenth and early Twentieth Centuries.  Those with a specific interest in the invention and use of such things as Cinema, the Telephone, Radio /Wireless etc. may also find the volume of interest, while due to its easy-to-read style layman-readers wishing to learn more about the origins of both ‘Digital’ and Analogue’ technologies, and their inter-relationships, may also find it worthy of their attention.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7 ½.


BOOK REVIEW: ‘The Analogue Revolution: Communication Technology 1901-1914’

BOOK REVIEW: ‘A Soldier’s Kipling: Poetry and the Profession of Arms’

86. a soldier's kipling


Reviewer: Michael Keith

Title:  A Soldier’s Kipling: Poetry and the Profession of Arms

Author: Edward J. Erickson

Total Number of Pages: 204

Rating Scale (1: Very Poor, 10: Excellent):


When writing in this volume’s Preface, the author notes that the book ‘…Explores a selection of Rudyard Kipling’ military poetry relating to how the British Army waged its campaigns during what are called ‘Queen Victoria’s Little Wars’. He also notes that  ‘Kipling’s military poetry offers insights into the profession of arms’  and that his ‘…Intent for the reader is…to generate an appreciation for Rudyard Kipling’s military poetry and for the timeless themes about the nature of soldiering and the profession of arms contained in these verses’. In all these endeavours, the author has been successful.

As would be expected, the volume opens with a Contents section. This is three pages in length and within in it each poem is listed under the relevant Chapter. This provides a quick reference for a specific work and obviates the need to search the Index for a specific title. In a reversal of usual practice, a Dedication is placed immediately after the Contents section, and is itself followed by an Acknowledgements section. Within this, thanks are tendered for the organisations and individuals who contributed to the volume, and the reader is introduced to Kipling’s poetry through ‘When ‘Omer smote ‘is bloomin’ lyre…’ a selection appropriate for the location. A List of Maps follows, the title being self-explanatory, and this is, in turn followed by a List of Plates. This summarises the captions found under the 20 colour images appearing within a designated section at the centre of the volume. The existence of that section is not however mentioned on the Contents page. A Foreword appears next and is in turn followed by the previously-mentioned Preface. This summarises what is to follow, and, through the use of subsections, presents the author’s viewpoint concerning his subject and outlines the volume’s themes. It also offers the author’s thoughts as to how it should be read.  The Preface is followed by the eleven Chapters which comprise the main part of the volume. As previously noted, the volume follows a specific theme; summarised as the development of a soldier from a raw, untrained recruit (Chapter 1 Becoming Tommy Atkins – Learning to Soldier), to being a professional in his field. This is not however merely a recital of military service, and there is much, much more, all examined through the lens of Kipling’s poetry. The experiences of returning veterans are investigated, as is patriotism (both real and imagined) and, in Chapter 11 a non-military section titled Kipling for Fun. The title is self-explanatory and includes many of Kipling’s well-known, non-military verses. Within each Chapter, a designated Introduction sets the scene for what is to follow. Several poems relevant to the Chapter then appear. These are presented as subsections within the Chapter and are accompanied by relevant explanatory notes and interpretation of the verses from a military perspective. Where applicable, page-specific Footnotes are provided to clarify terminology or expand / interpret words appearing within a specific poem. Two Appendices follow Chapter 11. The titles (Britain’s Wars, Campaigns and Expeditions (and covering the period 1701-1939) and Brief Biography of Rudyard Kipling) are self-explanatory. A section titled Further Reading follows Appendix 2. This is bibliographical in nature and function and is in turn followed by the volume’s Index; its final section. The volume contains 10 Maps, and, as already noted, a 20-image colour section. Although well and informatively captioned, the images in the latter section are unsourced, and not referred-to within the Index.

When reviewing this volume, this reviewer found the Index problematical. While undertaking a random search in the course of his review, he found numerous examples where events he considered worthy of inclusion within the narrative were not to be found within the Index. To take page 79 as an example; references to The Jacobite Rebellion, Williamites and the Treaty of Limerick on that page do not appear within the Index. Equally, the Index-entry to the Charge of the Light Brigade contains no reference to the evocative image that is listed as Plate 3. It would also be reasonable for the Index to record the names of the various publications in which the poems first appeared (the English Illustrated Magazine on page 101 being but one example), or even the names of collections (The Seven Seas on the same page), yet these are also missing. Such absences serve to reduce the authority and reliability of the Index, and inevitably raise questions concerning what else may be missing. There is no way to know.

The matters referred-to above notwithstanding, this reviewer found this volume a delightful, well written, informative and (above all), memorable, volume, to the extent that it bids fair to become a Standard Reference Work on its subject. Such is the universality and appeal of Kipling’s work, this volume is likely to have a wide range of readers; from literary and military scholars and students, to members of the armed forces, to both military, political and ‘generalist’ historians and those interested in ‘Queen Victoria’s Little Wars’. Military modellers may also find the colour plates useful as research tools, while readers seeking merely to be entertained on a wet Sunday afternoon could do well to peruse its content, if only to laugh at the accents and marvel at the genius of the poetry and the way things were when ‘Britannia ruled the World’.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8¾.



BOOK REVIEW: ‘A Soldier’s Kipling: Poetry and the Profession of Arms’

BOOK REVIEW: ‘The Armistice and the Aftermath: The Story in Art’



Reviewer: Michael Keith

Title:  The Armistice and the Aftermath: The Story in Art

Author:  John Fairley

Total Number of Pages: 192

Rating Scale (1: Very Poor, 10: Excellent): 7½


When describing this volume’s content,  a note on its dustjacket states that ‘…The Armistice and the Aftermath…brings together in one book a superb collection of the most epic paintings of the [World War I] era. The result, with informed and perceptive commentary is a unique record of those momentous days…’ It is an accurate summary of what is to follow.

The volume consists of 40 Chapters, these appearing immediately after the two page Contents section. There are none of the usual introductory sections one would expect to find within such a volume as this. While each Chapter nominally contains at least one full-page art work, in at least one instance (The Wartime Leaders, Chapter Forty), the image is out of sequence and appears before the section rather than within it. As it loses a certain relevance by doing-so, the reasons for this ‘displacement’ are unknown. While the majority of art works within the volume are from British, French or American artists, pieces by German artists also appear. The works displayed are in a variety of media, and are accompanied by an informative narrative. By this means, the reader is taken through the last year of the War, the first years of the Peace, while being introduced to important individuals, groups and occasions while so-doing. Where appropriate to the narrative, eyewitness descriptions also appear. It must however be noted that in some instances (and again for unknown reasons), the author of this volume does not consider it necessary to specifically name each plate within the text which accompanies it. In such situations he prefers to allude to it rather than name it specifically. Chapter 12 (Peace in the Mediterranean) is a case in point. Although four images appear within that Chapter, at no time are they specifically named; referred-to certainly, but not actually named. In addition, in several instances, the images that appear within a specific Chapter are not even mentioned within the text that supposedly relates to them.  They are instead used as vehicles to present the artist’s thoughts on the events which prompted their eventual creation. The images of HMS Mantis on the Tigris and The Navy at Baghdad  which appear in Chapter 11 (Peace in the Middle East), are but two such examples of this practice. Neither image is mentioned within the text, but the wartime reminiscences of their creator (David Maxwell) are. On the basis of the above, a reader expecting a detailed description of the individual images and their creation is likely to be disappointed. Most, but not all, of the images are captioned, the information provided tending-to consist of the individual piece’s title and the name of the creating artist. It was however noted there were several exceptions to this rule. An Appendix (The Armistice Terms) follows Chapter 40. Its title is self-explanatory. The Appendix is in turn followed by the volume’s final section titled Picture Credits. The title is self-explanatory but while naming the sources of the images, it also lists the pages within the volume on which they appear. This book contains neither Maps nor Index, and aside from the previously-mentioned Picture Credits section, the Contents pages contain no mention of those images which appear within the volume. Numerous unsourced Quotes appear throughout the work. Without supporting citations, their authenticity is inevitably under question; they might just as well be imaginary. A Glossary would have been of value: what for instance is Post Expressionist Painting (page 169)?

While this is a most-informative volume, for this reviewer it is let down by the total absence of an Index. As a result, a reader has no way of knowing which artists and individuals are mentioned within the book; which artistic works are represented, which geographical locations are mentioned, or which military actions have been recorded or commented-on. In the absence of such information, he believes it is both unreasonable and time-consuming to expect a reader to have to search through the volume’s 192 pages in a possibly-fruitless attempt to locate a specific individual, piece of art, geographical location or event. In his opinion this is a major failing, which serves to significantly-reduce the volume’s usefulness. The lack of Maps is also unhelpful as it gives a reader neither context nor location for the events mentioned within the narrative. Although the lack of citations for Quotes has been previously-mentioned, the presence of undefined terms is also unhelpful. What (for example) is ‘…The local Murdoch newspaper (page 165)? Who / what, was ‘Murdoch’? Why is he / it associated with a newspaper? In the absence of clarifying detail, such a statement is, at minimum, baffling, and to many, the reasons being unexplained, probably totally incomprehensible.

As the focus of this volume is on art, the works appearing within its pages are likely to be of interest to aficionados of such matters, while Historians and ‘Generalist’ readers with an interest in World War I may also find it of interest. As they portray contemporary military machinery, it is also possible that military modellers might find some of the images useful as reference material.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7½.

It should have been much higher.


BOOK REVIEW: ‘The Armistice and the Aftermath: The Story in Art’

BOOK REVIEW: ‘Around Britain By Canal: 1,000 Miles of Waterways’

83 Around Britain by canal


Reviewer: Michael Keith

Title:  Around Britain By Canal: 1,000 Miles of Waterways

Author:  Anthony Burton

Total Number of Pages: 200

Rating Scale (1: Very Poor, 10: Excellent): 8


In Chapter 1 of this volume, the author observes that ‘Canals are one of the great loves of my life’. As a result, (and on 13 March 1975), he, together with three companions (one a ‘Daytripper’) set off on a six-week long tour of Britain’s canal system. His intention was ‘…To do a continuous [canal] tour with as little doubling-up as possible, and to cover as wide an area as [he] could’.  This volume is the result.

This book is a reprint and update of an earlier work (date of publication unknown). Accordingly, the single-page Preface placed after the volume’s Contents page provides both technological and historical updates to cover the 43 years since the original journey was undertaken. The Preface is in turn followed by the 17 Chapters which constitute the main part of the book. Within these, the reader is taken on a journey along many of Britain’s canals, and while so-doing is introduced into unique locations, individuals, circumstances and history. While the Canals are, by analogy, the base upon-which everything else rests, it is nonetheless a most excellent base for a totally idiosyncratic meander along and around Britain’s hidden canal-based and influenced byways.  The volume is well-written; the author a raconteur of some ability and the result is a delightful ‘wander’ along largely-neglected paths. An Index completes the volume. The book contains numerous colour images. Although a note in the Preface indicates that these were taken by one Phillip Lloyd (one of the author’s travelling companions), no notes to that effect accompany the individual images. Each image is captioned but the latter vary in both length and information. Curiously, the first two words of each caption are highlighted. The reason for this is unknown. No Maps are provided.

For this reviewer, this book was let down in several areas, most noticeably by the Index.  When reviewing this volume, this reviewer had cause to randomly search that section for information on subjects within the book which he found of interest. On Page 84 (for example) he sought Index references for Scaris-brook, Southport, Henry III and Johnsons Hillocks. None were found. A subsequent search for other ‘interesting’ words produced similar results, while the Index entry for Rose Skinner, although noting her as appearing on pages 138-140, ignores her photograph on page 143. There were many similar examples. As there is no way to know what else may be missing, the authority and veracity of the Index is inevitably compromised. As previously-noted, the volume contains no Maps. In their absence, a reader can have no idea about the geographical locations under discussion. A General Ordinance Map of Great Britain (or even a simple outline map showing the route travelled), would have been very helpful. Readers with no ‘local knowledge’, may well find this omission frustrating. Interpretative diagrams of both a Narrow Boat and Lock Operations would also have been useful.

This volume is likely to appeal to several different readerships. It is, ultimately, a travelogue and will no doubt interest some on that basis.  Due to the passage of time, it is also an ‘historic document; and as a result could be of use to Historians, particularly those with an interest in late Twentieth-Century commerce, water-borne transportation and, specifically, British canals. Canals and canal boating enthusiasts will, of course, find the volume of interest, while those who enjoy ‘Messing about in boats’ may also find something within its covers to entertain them. Readers seeking images of some of the more obscure parts of Britain may also find those within this book of interest.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8.


BOOK REVIEW: ‘Around Britain By Canal: 1,000 Miles of Waterways’

BOOK REVIEW: ‘The NHS At 70: A Living History’

80. NHS at 70

Reviewer:  Michael Keith

Title: The NHS At 70: A Living History

Author: Ellen Welch

No. of Pages: 149

Rating Scale (1: very poor, 10: excellent): 7


In the Preface to this volume the author writes the following: ‘At midnight on 5 July 1948 the National Health Service [NHS] was born, with the founding principle to be free at the point of use and based on clinical need rather than a person’s ability to pay’. The background thus established, she concludes ‘This book attempts to summarise the foundations of the NHS and discuss why it was formed, provide an understanding of its current structure and problems and consider what the future may hold’. It is an excellent summation of what is to follow.

Within the volume, the Contents page is followed by an Acknowledgements section. In this, the author clarifies her position vis–a-vis the NHS (‘The views in this book are my own’), and thanks those who assisted her in the volume’s creation. The section is in turn followed by a Preface from which the quotes in paragraph one were taken. The section summarises the content of the four Chapters placed after it; the latter forming the bulk of the book. The Chapters take the reader through the history of health services in Great Britain, and while so-doing cover a time period from 500A D to 2018. Chapters 1 and 2 provide background, while Chapter 3 (Timeline of the NHS) precis ‘events of significance’ that have occurred within the 1950-2018 period. The title of Chapter 4 (The Modern NHS) is self-explanatory. The latter Chapter is followed by a section titled Sources and Additional Reading. This is bibliographical in nature, and lists the books, articles and online sources used by the author when writing this volume. The Index follows and is the volume’s last section. Within each Chapter, subheadings are used to provide additional Chapter-relevant information. These are accompanied by personal reminiscences (Titled My NHS Story), which provide a ‘human’ perspective to the events and times that the Chapter is discussing. The volume contains numerous photographs, advertisements, and a building-plan, together with assorted paraphernalia and cartoons relevant to the narrative. These are informatively captioned, monochrome in format and from a variety of sources. Tables and Flow-charts also appear where appropriate. The existence of such items is not however acknowledged on either the Contents page or within the Index. The volume’s single ‘footnote’ appears on page 43; it is however, more an ‘aide memoir’ than a formal citation.

Regrettably, for this reviewer at least, this volume, while well written and researched, was let down by the ‘small things’, especially in regard to the Index. In his considered opinion, the Index could best be best described as ‘patchy’ and so-focussed on the ‘mechanics’ of its NHS subject as to exclude almost everything else. These exclusions included such random items as Elizabeth I (Page 19), Caribbean, Ireland (both on page 60), Great Ormond Hospital (page 72), John and Rosemary Cox (page 85), Sugar Tax (page 109) and Commonwealth Fund (page 134).  Other omissions were also found and what else has been left out cannot be known. As a result, the authority and veracity of the Index must be inevitably be in doubt. In addition it was noted that both the previously-mentioned My NHS Story personal reminiscences and those of other individuals are not accompanied by verifying citations. This reduces their value to researchers. Citations for the various Official Documents, Reports, Acts of Parliament etc. quoted within the volume are also missing. A Glossary for the volume’s large numbers of acronyms and abbreviations would also have been helpful, as a non-medical reader has no way of knowing (for example) what an OT (page 73) might be.

Potentially, this volume could have been the ‘Standard Reference Work’ for its subject. For readers seeking an easily-readable ‘once over lightly’ history of the NHS it might still achieve that status. Regrettably however, for academic-level researchers, the ‘difficulties’ with the Index and the lack of citations, Glossary etc. have considerably reduced its value as a research document; it is an ‘aide’ rather than being the ‘authoritative document’ it could so easily have been.

On a Rating Scale where 1: very poor, 10: excellent, I have given this volume a 7.





BOOK REVIEW: ‘The NHS At 70: A Living History’

Book Review: ‘Cathedrals of Britain: North of England & Scotland’

65. DSCF2290 (2)

Reviewer:  Michael Keith

Title: Cathedrals of Britain: North of England & Scotland

Editor: Bernadette Fallon

No. of Pages: 122

Rating Scale (1: very poor, 10: excellent): 8


In her introduction to this volume, the author observes that ‘Cathedrals provide a continuous link to the living past…They are places of worship and prayer…but also…they are places to stand and stare and marvel’. It is a fair assessment of the book’s content.

An Acknowledgments section is placed after the Contents page. In it the author thanks ‘…Everybody who generously gave their time, experience and support to this book’, before listing the individuals and organisations who contributed to the volume. An eight-page Introduction follows. This provides historical and ecclesiastical background to the material contained within the eight Chapters which form the majority of the volume. Each Chapter focuses on one specific cathedral. Within the specific Chapter, subheadings are used to provide details about the specific structure and to highlight various little ‘oddities’ which are unique to the edifice. Although the volume is nominally about a specific structure, at the end of each chapter a ‘…Where to go and what to do’ section appears. This provides additional information about the surrounding district and of any attractions which might be of interest to a visitor. A Glossary placed after the last Chapter (Number Eight: Aberdeen) clarifies the various ecclesiastical, architectural and historical terms which appear within the volume. It is in turn followed by a section titled Further Reading. In the absence of a designated Bibliography, this appears to function in that role. An Index completes the volume. Black and White photographs from a variety of sources are used to illustrate salient points within each Chapter. The Contents page and the Index carry no acknowledgement of their existence. The volume contains no Maps, a detail which could reduce its value to intending ‘Day Trippers’ and to international visitors unfamiliar with both British geography and public transport systems. Although the volume contains numerous Quotes (that by George Cavendish on page 65 being but one example), these are not referenced, reducing the volume’s value as an  historical source.

The author concludes her Introduction to this work with the words ‘Let us take you on a marvellous journey…’ As an invitation it has no peer and (the previously-noted ‘faults’ notwithstanding), for this reviewer the ‘journey’ was indeed ‘marvellous’. This is a delightful, well-written and easily-readable volume. It is definitely ‘Enjoyable’. For that the author is to be commended.

Due to its subject and the accessibility of the structures discussed within it, this volume should have wide appeal. Despite the lack of maps, the previously-mentioned ‘Day Tripping’ fraternity and international visitors could no doubt find it to be a useful souvenir of a visit or visits that they may have made to any of the Cathedrals that the volume mentions. Some might even care to use it as a ‘guide’ and attempt to ‘collect’ them all. Readers with an interest in ‘British’ architecture in general, and religious structures in particular, may also find it of interest. Readers interested in the more unusual aspects of British architecture and even folk-lore may also find it of interest. Due to the unusual items appearing within its pages, the volume may also be a useful reference book for pub-trivia quizzes. Those seeking a ‘fun’ read on a wet afternoon could also do worse than give this volume their attention.

On a Rating Scale where 1: very poor, 10: excellent: I have given this volume an 8.





Book Review: ‘Cathedrals of Britain: North of England & Scotland’

BOOK REVIEW: ‘Joseph of Arimathea’

59. DSCF2114 (2)

Reviewer:  Michael Keith

Title: Joseph of Arimathea

Editor: Glyn S. Lewis

No. of Pages: 120

Rating Scale (1: very poor, 10: excellent): 5


On page xii of this volume, the author makes the following comment: ‘Joseph of Arimathea is…perhaps someone of whom people know only fragments of his life and the traditions that surround him. The aim of this book is to bring these fragments together in order to provide as full as is possible a biography of Joseph of Arimathea’. It is an accurate summation.

The result? A work based on an unsubstantiated (but well-held) hypothesis. This states that  Joseph of Arimathea (He who donated the tomb in which Jesus Christ was placed after his crucifixion), subsequently fled from Palestine / Israel  and, after landing in Europe, came to Great Britain,  resided there and was eventually buried in a (perhaps conveniently?) unmarked grave. In this reviewer’s opinion, what has resulted could at best be described as a work of ‘Faction’ (defined as ‘Facts combined with Fiction’) where very limited ‘actual’ facts and large amounts of legend, tradition, circumstantial evidence and imagination have been combined. The story that results is one that could have been, might have been, but which equally may not have been. It is neither fish nor fowl; an idea looking for a home; dressed up as fact and presented as the same. It is an unusual and most-curious little volume.

A List of Illustrations appears immediately behind the Contents page. That section’s title is however misleading. and rather than referring to ‘pictures’ actually refers to the two maps, a pen and ink illustration and a church plan which appear at various places within the volume. The expected images are instead listed under a subsection on the same page. Titled Unnumbered Gallery Following page 56, the list replicates the captions appearing within the eight pages which comprise that section.  An Introduction follows. Within it, the author, by using scene–setting methods more-usually found in works of fiction, introduces the reader to his subject. That such methods have been used is perhaps prescient for what is to follow. The author then proceeds to create what he terms as ‘…As full as is possible a biography of Joseph of Arimathea’. This is done by means of five sections which function as Chapters. Within each section, subheadings provide additional information relevant to the section’s narrative. A single–page Bibliography placed after the last section lists books accessed while writing this volume, and is in turn followed by the Index, the volume’s final section. As previously-noted, the volume contains two maps (one of the reputed location of ‘Arimathea’ in Roman Palestine and the other of ‘Lake villages with respect to the flooded area of Somerset, and the Mendips’). There is however no large-area map of either the Roman Empire at the time of Christ (to show the journey that ultimately led Joseph of Arimathea to Britain), or a modern Ordinance Survey map of Great Britain to show where the various locations within the narrative are placed. Where (for instance) is Glastonbury (or even Somerset) in modern Britain?  Without such a map, the reader (especially those living outside Great Britain) is ‘flying blind’, and if wishing to visit the sites mentioned in the narrative, may have no idea where to look. Foreign readers / visitors especially, may find this problematical. Numerous quotes appear within the volume. They are however without citations as proof of their authenticity, and as a result, could possibly be imaginary. There is no way to know. The authority of the Bibliography is also questionable. Titles are mentioned in the text (that by Émile Mâle on page 77 being but one such example), yet the Bibliography carries no reference to either the author or the work. The example quoted is but one of several found by this reviewer. If such details are missing from the Bibliography, what else may also be missing, and from where; an entry in the Index perhaps? Again, there is no way of knowing.

This volume bases itself on legends, traditions, circumstantial evidence and hypothesis to reach a foregone conclusion, namely that, according to the author ‘…We owe Joseph of Arimathea a great debt of gratitude’. As previously-noted, for this reviewer, it is a work of ‘Faction’, a view that he retains.

This volume ultimately asks its reader to believe; to believe that the legends and traditions and imagined conversations that exist about Joseph of Arimathea (and, inter alia the ‘Arthurian/Avalon’ narratives, as they are intertwined), actually occurred. If these are held to be ‘true’, then the reader is likely to find this volume of considerable interest. If considered to be merely ‘myths’, then this volume is, at best, a rather-long fairy story.

On a Rating Scale where 1: very poor, 10: excellent, I have given this volume a 5.


BOOK REVIEW: ‘Joseph of Arimathea’