BOOK REVIEW: ‘Uncommon Valour: The Story of the Victoria Cross’


Reviewer: Michael Keith

Title: Uncommon Valour: The Story of the Victoria Cross

Author: Granville Allen Mawer

Total Number of Printed Pages: 282

Rating Scale (1: Very Poor, 10: Excellent): 6


When writing in this volume’s Introduction, the author makes the following observations: ‘…The VC [Victoria Cross] is the ultimate bravery award…’ and that ‘This book sets out to not only examine individual deeds with a view to understanding them, but to also align them collectively with the expectations of those who instituted the decoration and those who administered it thereafter’. As a precis of the book’s intent it cannot be bettered.

Within the volume, an Acknowledgments section is placed immediately after the Contents pages. Within this the author pays tribute to those who assisted him in book’s creation. A list of Illustrations follows. The title is self-explanatory. Within the book the author has used a variety of graphs to provide visualisation of statistics relating to the awarding of the Decoration. These are listed as a subsection (titled Figures) within the list of Illustrations section. The 27 Chapters which form the bulk of the book now appear. Within these the reader is led from the ‘Cross’s origins to the Twenty-first Century, With the exception of the book’s final Chapter (Chapter 27; Rules and Exceptions) each Chapter within it presents a particular aspect of the larger narrative. To reinforce that aspect, the actions of VC recipients are presented as specific examples of that particular perspective. Curiously (and in an apparent attempt to assist readers in finding specific individuals sans Index), although the names of such individuals appear under each Chapter when the latter are listed on the Contents page, the self-same names are not placed at the head of the individual Chapters within the volume itself. Why this should be so is unknown. The previously-mentioned Chapter 27 focusses both on military protocols in respect of the award and on efforts made to have deserving individuals added to the list of recipients.  Three Appendices follow Chapter 27. Appendix 1 (The 1856 Victoria Cross Warrant) reproduces the ‘Founding Document’ on which the award is based. The title of Appendix 2 (The Who, When, Where, What, Why and How of the Awards) is self-explanatory, with the information-concerned being presented in Table format. Within the table however, the recipient names are presented in a First name, Surname sequence instead of the more-usual Surname-first sequence. As result trawling through the tables to find a specific individual can be both tedious and time consuming.  By way of contrast, Appendix 3 (How I Won the Victoria Cross) is an Australian-sourced humorous recitation best described as being ‘A tale of unintended consequences’. Where necessary within the individual Chapters, additional information is provided through the use of End-notes, these being numerically-sequential and Chapter-specific.  The relevant citations appear in a designated Notes section placed after Appendix 3. The volume’s Bibliography now appears. It lists the printed sources used in its creation. The Bibliography is followed by the Index; the volume’s final section.  The book contains 49 Images that are ‘…Courtesy of Wikimedia Commons unless otherwise attributed’.  The source has resulted in a collection of pictures of varying quality, many excellent, but several seemingly from boys comics; those on pages 88, 118 and 173 being examples of the latter. There were several others. The volume contains numerous Quotes and while many carry supporting citations to verify their authenticity, others (such as those on pages 144 and 151 and 152 [for example]) do not. While wishing to believe that the latter are also authentic and accurate recitations of events, the absence of supporting citations does raise questions… The book contains no Maps.

For this reviewer poor proof-reading has served to reduce this book’s effectiveness and resultant usefulness. This is specifically evident in the Index where a lack of attention has served to destroy any pretentions of authority that that section (and, inter alia the entire book) might have had. The Index consists of 19 pages, numbered from 263 to 282. Random searching during the review process revealed that (for example) a written entry for Aaron, Arthur (incidentally the first entry in the Index itself; on page 263) could be found on page 266, and that one for Topham, Frederick (Index entry page 280) would be appearing on page 271; i.e. within the Index itself! These are but two of numerous similar examples. To find that one Index entry only leads to another Index entry raises serious doubts about what other ‘errors’ might exist. There is no way of knowing. It was also noted that at least one individual’s name (that of Moana-Nui-a-Kiwa Ngarimu) had been entered under M rather than his surname (Ngarimu) As the name is not ‘British’ this is perhaps understandable, although the name IS correctly given within the Appendix 2 table (Award No. 1238; page 238). Have other similar ‘mistakes’ been made? Again, there is no way to know.  In addition the Index is largely ‘People’-focussed, to the almost total exclusion of geographical locations or events. Notably (despite being active participants in the larger narrative and mentioned within the volume), Australia, New Zealand and Canada as geographical / political entities are not mentioned within the Index. When combined with the previously-noted issues with Images, Quotes, Maps and Award Tables the ‘Index-related’ difficulties serve to seriously-erode the volume’s usefulness as a serious work on its subject.

Although in this reviewer’s opinion the problems detailed above are of considerable magnitude, the volume is both well written and easy to read. Military Historians with a specific interest in the Victoria Cross may find it of interest, as could readers with a more ‘generalist’ interest in the British armed forces, and their awards for brave deeds. Readers seeking descriptions of ‘Feats of daring-do’ by ordinary individuals in unusual situations may also find it worth of their attention.

On a Rating Scale where 1: Very Poor, 10: Excellent I have given this volume a 6.



BOOK REVIEW: ‘Uncommon Valour: The Story of the Victoria Cross’

BOOK REVIEW: ‘Britain’s Island Fortresses: Defence of the Empire 1756-1956’


Reviewer: Michael Keith Rimmer

Title: Britain’s Island Fortresses: Defence of the Empire 1756-1956

Authors: Bill Clements

Total Number of Printed Pages: 274

Rating Scale (1: Very Poor, 10: Excellent): 8


When writing within this volume’s Preface, and seeking to explain the raison d’être for what follows, the author notes that ‘The aim of this book has been to record the history and importance of a large number of British colonial fortifications’ with the intention being ‘…to bring to the reader’s attention this somewhat neglected area of historical research’. In this endeavour he has been largely successful.

Within the volume, a Preface placed immediately after the Contents page provides background to why it was written, while simultaneously acknowledging those individuals and organisations that assisted in its creation. It is followed by a 23-page Introduction. While this section summarises what appears within the nine Chapters which form the main part of the book, it also explores contemporary (Nineteenth Century) technical developments in the areas of warships, guns, fortifications and naval mining. The section also investigates the prevailing administrative structures associated with the defence of the military facilities described within the volume, although notably it gives no indication as to why the specific dates (1756-1956) appearing within the title were chosen. The main part of the book now appears. As previously-noted, this comprises nine Chapters, with each of these being focussed on a specific island within the (then) British Empire. Curiously (and for unexplained reasons), this list is not arranged alphabetically, with (for example) Antigua (Chapter 4) following St Helena (Chapter 3) instead in of the usual alphabetical order of ‘A’ preceding ‘S’. In a similar manner Singapore (Chapter 8) precedes Hong Kong (Chapter 9). It is an unusual arrangement which does not engender confidence in what is to follow. Within the individual Chapter, a standardised format is followed. This comprises a general history of the island followed in turn by a history and description of its defences and their history. Subsections within each Chapter provide more detailed information about a specific aspect of the larger narrative, their presence being indicated through the use of subheadings.  Where appropriate within the Chapter, Photos, Maps, Plans and Diagrams are used compliment the narrative. These are accompanied by informative captions and source-indicating citations. The existence of the Photographs, Maps etc. is not mentioned in either the volume’s Index or on its Contents page. Where necessary, End-note-type Citations are used within the Chapters to provide additional information. These are numeric in sequence and Chapter-specific, with the necessary entries being placed in a designated Notes section located towards the rear of the book.  Many of these citations are Quote-related, indicating the sources of the latter, yet it was noticeable that not all Quotes are referenced, with that appearing on page 221 being but one example of the latter. An Appendix (Artillery, Guns and Mortars) follows Chapter 9 (Hong Kong). It uses a Table format to describe the various artillery pieces mentioned within the volume, and is followed by the previously-mentioned Notes section. A Glossary follows. As the volume uses a variety of technical and military terms, acronyms and abbreviations to describe its subject, such a section is essential and informative. The Glossary is in turn followed by a Bibliography. Within this, the relevant titles have been grouped under the individual islands as they appear within the book; a helpful move. The Bibliography is followed by the volume’s Index; it’s last section.

While this volume is both informative and well-written, this reviewer found the Index to be problematical. Random searching revealed surprising ommissions, with the non-appearance of Index entries for entries for Shoeburyness (page 15) and Winnipeg Grenadiers, Stanley Mound, Chung Hum Kok and Tai Tam (all on page 245) being but five examples of what was found. There were others…! What else may be omitted cannot, of course, be known, and leads to doubts about the authority of the section, and ipso facto, the larger volume. In addition (and when selecting this volume for review), this reviewer was interested in learning why the specific date of 1956 appeared within its title. However (and as previously-noted), he searched its Introduction in vain for this information, and only when reading page 213 accidentally learnt that ‘On 31 December 1956 coast artillery in Britain and overseas ceased to exist’. That despite its prominence in the title, it took 213 pages to discover such a detail was surprising and when combined with the ‘difficulties’ with the Index did little to engender confidence in the volume’s veracity.

The ‘difficulties’ mentioned above notwithstanding, this volume is well-researched, well written and very readable and begs fair to become a ‘Standard Reference Work’ on its subject. Historians with an interest in the British Empire, British Empire defence and World Wars I and II may find it of interest, while military enthusiasts and hobbyists with an interest in both unusual fortifications and military operations of the Sixteenth – Twentieth Centuries may find it worthy of their attention.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8.




BOOK REVIEW: ‘Britain’s Island Fortresses: Defence of the Empire 1756-1956’

BOOK REVIEW: ‘Section D for Destruction: Forerunner of SOE’

111. SECTION 'D'

Reviewer: Michael  Keith

Title:  Section D for Destruction: Forerunner of SOE

Author: Malcolm Atkin

Total Number of Printed Pages: 258

Rating Scale (1: Very Poor, 10: Excellent)


Sir Walter Scott’s famous quote from Marmion; ‘Oh what a tangled web we weave, when first we practice to deceive’ is an appropriate precis for this volume.  The story narrated within this book is indeed a ‘tangled web’, with deceit and deception on almost every page, and a cast of characters that range from the highest levels of the British Government, to the lowest depths of European and Middle Eastern society. It is both a ‘Ripping Yarn’ and an insight into the machinations that accompanied Great Britain’s early World War II-era unconventional-warfare forays into Nazi-controlled Europe. It is also a long-overdue tribute to Laurence Grand; the little-known genius who successfully created the whole ‘Amateurs at irregular war’ concept.

A List of Plates follows the Contents page and reproduces the captions of the 33 images which form the ‘plates’ section of the volume; this latter being placed at the centre of the volume. A List of Figures section follows. This lists the various Tables and single Map which appear within the volume. An Acknowledgements section then thanks those who contributed to the completed volume. It is in turn followed by a two page Abbreviations and Acronyms section; a necessity in a volume abounding with military abbreviations. A Preface then relates the difficulties encountered when interpreting documentation rewritten to push particular political and personal viewpoints. An Introduction then precis’ what is to follow. The main part of the volume consists of 11 Chapters. These trace the evolution of Section D from its 1938 creation to its absorption into the Secret Operations Executive (SOE) in 1941.While the first three Chapters deal with the organisational and technical aspects of its subject, those remaining, narrate Section D’s military activities. Frequently innovative and original in concept, such activities occurred where Section D’s controllers believed that British interests could be best served.  That these might be in places hitherto ‘friendly’ towards Great Britain was largely irrelevant, but never random.  The volume’s ‘action’ Chapters are divided into geographical sections; The Balkans (Chapter 6) and Scandinavia (Chapter 9), being but two examples of this practice. Individual nations appear as subsections within the specific Chapter, their political, cultural and ethnic make-up at the time of World War II being described in depth. Such information provides background to Section D’s activities both within the nation itself and (as they were invariably interconnected), in those countries within its immediate vicinity.  A Conclusion follows Chapter 11 (Into SOE); in it the author provides an assessment of the effectiveness of Section D. An entry on the Contents page then indicates that two Appendices are to follow the previously-mentioned Conclusion. Curiously, these do not appear within the volume but have to be accessed at the author’s online address. Why this has been done is not explained. Within each Chapter, additional information is provided through sequentially-numbered and chapter-specific citations.  These are end-note in format and appear in a designated Notes section placed after the Conclusions section. A Bibliography follows the Notes section and is in turn followed by an Index; the final section in the volume. The previously-mentioned Plates section contains 33 black and white images relevant to the narrative. These range from individuals, to locations, to the equipment used when undertaking the ‘unconventional’ warfare described within the volume.  As previously noted (and despite Section D being active throughout Europe and the Middle East), the volume contains only one map (of the Balkans, on page 85). Why this should be, is unknown. At minimum, a map of Europe would have been a valuable aide memoire, if only to show the theatre of operations being discussed. An additional ‘Regional’ map at the start of each Chapter would have been even better.  In the absence of such devices, the value of this volume as a research source is inevitably reduced.

This is a well-written and very readable volume that is likely to become the authoritative work on its subject. As such it is likely to have wide appeal. Military personnel and Historians with an interest in either World War II or ‘unconventional warfare’ may well find its contents of interest. Readers with a ‘generalist’ view of World War II are likely to find it informative, as are with those with an interest in the more unusual forms of warfare and the weapons which are employed in such situations. Those looking for ‘real life’ James Bonds’ and ‘spies’, could also find it worthy of their attention.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8 ½.




BOOK REVIEW: ‘Section D for Destruction: Forerunner of SOE’

BOOK REVIEW: ‘The Armistice and the Aftermath: The Story in Art’



Reviewer: Michael Keith

Title:  The Armistice and the Aftermath: The Story in Art

Author:  John Fairley

Total Number of Pages: 192

Rating Scale (1: Very Poor, 10: Excellent): 7½


When describing this volume’s content,  a note on its dustjacket states that ‘…The Armistice and the Aftermath…brings together in one book a superb collection of the most epic paintings of the [World War I] era. The result, with informed and perceptive commentary is a unique record of those momentous days…’ It is an accurate summary of what is to follow.

The volume consists of 40 Chapters, these appearing immediately after the two page Contents section. There are none of the usual introductory sections one would expect to find within such a volume as this. While each Chapter nominally contains at least one full-page art work, in at least one instance (The Wartime Leaders, Chapter Forty), the image is out of sequence and appears before the section rather than within it. As it loses a certain relevance by doing-so, the reasons for this ‘displacement’ are unknown. While the majority of art works within the volume are from British, French or American artists, pieces by German artists also appear. The works displayed are in a variety of media, and are accompanied by an informative narrative. By this means, the reader is taken through the last year of the War, the first years of the Peace, while being introduced to important individuals, groups and occasions while so-doing. Where appropriate to the narrative, eyewitness descriptions also appear. It must however be noted that in some instances (and again for unknown reasons), the author of this volume does not consider it necessary to specifically name each plate within the text which accompanies it. In such situations he prefers to allude to it rather than name it specifically. Chapter 12 (Peace in the Mediterranean) is a case in point. Although four images appear within that Chapter, at no time are they specifically named; referred-to certainly, but not actually named. In addition, in several instances, the images that appear within a specific Chapter are not even mentioned within the text that supposedly relates to them.  They are instead used as vehicles to present the artist’s thoughts on the events which prompted their eventual creation. The images of HMS Mantis on the Tigris and The Navy at Baghdad  which appear in Chapter 11 (Peace in the Middle East), are but two such examples of this practice. Neither image is mentioned within the text, but the wartime reminiscences of their creator (David Maxwell) are. On the basis of the above, a reader expecting a detailed description of the individual images and their creation is likely to be disappointed. Most, but not all, of the images are captioned, the information provided tending-to consist of the individual piece’s title and the name of the creating artist. It was however noted there were several exceptions to this rule. An Appendix (The Armistice Terms) follows Chapter 40. Its title is self-explanatory. The Appendix is in turn followed by the volume’s final section titled Picture Credits. The title is self-explanatory but while naming the sources of the images, it also lists the pages within the volume on which they appear. This book contains neither Maps nor Index, and aside from the previously-mentioned Picture Credits section, the Contents pages contain no mention of those images which appear within the volume. Numerous unsourced Quotes appear throughout the work. Without supporting citations, their authenticity is inevitably under question; they might just as well be imaginary. A Glossary would have been of value: what for instance is Post Expressionist Painting (page 169)?

While this is a most-informative volume, for this reviewer it is let down by the total absence of an Index. As a result, a reader has no way of knowing which artists and individuals are mentioned within the book; which artistic works are represented, which geographical locations are mentioned, or which military actions have been recorded or commented-on. In the absence of such information, he believes it is both unreasonable and time-consuming to expect a reader to have to search through the volume’s 192 pages in a possibly-fruitless attempt to locate a specific individual, piece of art, geographical location or event. In his opinion this is a major failing, which serves to significantly-reduce the volume’s usefulness. The lack of Maps is also unhelpful as it gives a reader neither context nor location for the events mentioned within the narrative. Although the lack of citations for Quotes has been previously-mentioned, the presence of undefined terms is also unhelpful. What (for example) is ‘…The local Murdoch newspaper (page 165)? Who / what, was ‘Murdoch’? Why is he / it associated with a newspaper? In the absence of clarifying detail, such a statement is, at minimum, baffling, and to many, the reasons being unexplained, probably totally incomprehensible.

As the focus of this volume is on art, the works appearing within its pages are likely to be of interest to aficionados of such matters, while Historians and ‘Generalist’ readers with an interest in World War I may also find it of interest. As they portray contemporary military machinery, it is also possible that military modellers might find some of the images useful as reference material.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7½.

It should have been much higher.


BOOK REVIEW: ‘The Armistice and the Aftermath: The Story in Art’

BOOK REVIEW: ‘The History of the Port of London: A Vast Emporium of All Nations’

81. History of the Port of London

Reviewer: Michael Keith

Title: The History of the Port of London: A Vast Emporium of All Nations

Author: Peter Stone

Total No. of Pages: 250

Rating Scale (1: very poor; 10: excellent):


At the time of the Great Exhibition of 1851, London was described as being ‘The workshop of the world’. It was, according to the author of this volume, ‘…The [British] Empire’s economic capital… and at the heart of the vast emporium was the Port of London’. This book is that port’s story.

To state that this book is comprehensive is to be given to understatement. It is well researched, well-written and quite readable, with the qualification that it is more thesis than light romance. Because of its subject, it is also very wide-ranging in its narrative. When reading it the reader is taken from the Ice Age and the formation of both the British Isles and the River Thames, to the Twenty-first Century (specifically 2017), and the problems attendant to redeveloping a port system which technology and commerce have now passed-by. In the course of this perambulation through time, the reader partakes in the social and maritime histories which moulded and influenced the port and its surrounds, together with the occasional dose of warfare and politics for good measure. The result, as previously noted, is comprehensive and readable. It is also extremely interesting.

The bulk of this volume consists of eight Chapters preceded by an Acknowledgements section where tribute is paid to those who assisted the author in creating the book. That is in turn followed by a Preface This is six pages in length and summarises what is to follow. The Chapters are divided into sequential blocks, with each covering a specific time period. Subheadings within each Chapter provide additional detail about a specific topic appearing within that section. Reproductions of five lithographs appear within the volume to illustrate relevant points of the narrative.  They are supplemented by sixteen photographs placed within a small section in the book’s centre. The images are informatively captioned, although several give no indication of their source. There is no reference to the existence of the images (or even of the ‘Photographic’ section per se’) on the Contents page or within the Index. The volume also contains several Maps. These show both the development of the port itself over the centuries and its relationship to Great Britain, Europe and the larger world. As with the previously-mentioned images, neither the Contents page nor the Index contains any reference to the existence of Maps within the volume. A Selective Bibliography is placed after the last chapter, the author noting that the titles it contains ‘…Have been consulted to varying degrees’. An Index completes the volume. While comprehensive, this reviewer found the presence of unexplained italicised words within the Index puzzling.

While some were evidently the names of ships, others appeared to be Latin in origin. Unsourced quotations also appear within the volume. The discovery that HMS Belfast (p. 222) was a ‘Battle cruiser’ instead of her designated class of ‘Light Cruiser’ was also of interest. This reviewer hopes that this misclassification was only an isolated aberration and not indicative of other, similar, errors. There is no way to know.

Because it covers a multitude of topics under the broad umbrella of being a ‘History’ of the specific Port of London area, this book it is likely to have a wider audience than just those interested in ‘ships and the sea’. By default it is also a ‘Social’ history; its descriptions of social behaviour and micro-societies associated with the Port of London being possibly useful to social historians as a result. Political Researchers investigating British politics and their effect on the Port of London and international trade may also find it interesting. Those with an interest Twentieth Century warfare in general and the World War II London ‘Blitzes’ in particular,  may also find it worth perusing.

On a Rating Scale where 1: very poor; 10: excellent), I have given it an 8½.




BOOK REVIEW: ‘The History of the Port of London: A Vast Emporium of All Nations’

BOOK REVIEW: ‘Bayly’s War: The Battle for the Western Approaches in the First World War’

71. TO USE DSCF2825 (2)

Reviewer: Michael Keith

Title: Bayly’s War: The Battle for the Western Approaches in the First World War

Author: Steve R. Dunn

Total Number of Printed Pages: 304

Rating Scale (1: Very Poor, 10: Excellent): 8


In A Note on the Structure and Intent of this Book, the author states that ‘First and foremost it is the intention …to tell a story; a true story of sacrifice and quotidian bravery. The method is to use individual incidents which build to a whole hopefully greater than the sum of the parts…It is not a day-to-day history but a story compounded of many parts. Neither is it a biography, although [Admiral, Sir] Lewis Bayly…provides a linking theme and his character and role are important to the telling of the narrative’. It is an accurate summation.

Within the volume, a List of Plates placed after the two-page Contents section contains the captions and sources of the images placed within a dedicated Images section placed at the book’s centre. An untitled page containing three Quotes relative to the narrative then appears. It is followed by the previously-mentioned A Note on the Structure and Intent of this Book section. The volume’s Preface then summarises the volume. A Prologue follows. Within it a fictional (although probably fact-based) narrative is used to set the scene for what is to come. The main part of the volume follows. It consists of 25 Chapters, divided into three sections (defined as Parts). These cover three specific time periods and periods of action (1914-April 1917; 1917-1918; 1919-2017). Within each Part individual Chapters cover specific time periods, and, where relevant, subheadings are used to provide additional information relevant to the larger narrative. Six Appendices have been placed behind Chapter 25 (Envoi), and these are in turn followed by a section titled Author’s Note; effectively the book’s Acknowledgments section. Within each Chapter, additional information is provided through the use of Endnotes. Numbered numerically and chapter-specific; their citations being placed in a designated Notes section placed after the Author’s Note. A Bibliography placed after the Notes section lists the sources used in the book’s preparation. It is followed by the Index; the volume’s final section. As previously-noted, end-note-type Citations provide additional information within each Chapter, However, where ‘additional’ additional information is required, the author uses Asterisks (sometimes one, frequently two, occasionally three) to provide this, these additional entries being placed at the bottom of the page as quasi-footnotes. As previously-noted the volume contains a multi-page Images section placed between pages 128 and 129. The images are monochrome and contain a mix of, ships (both Naval and Merchant Marine), personnel, structures, documents and events relevant to the narrative.  The volume contains a single map (titled Queenstown and the Western Approaches) although its existence is not noted on either the Contents page or within the Index.

Although it is undoubtedly well-written and researched, for this reviewer, the volume was badly let down by its Index. Random searching during the review process found numerous instances where items noted in the text did not appear in the Index. These omissions seemed especially prevalent with geographical locations; Fort Westmoreland (Page 22) and Bantry Bay (Page 238), being but two examples where this occurs. Curiously, Whiddy Island, while appearing in the same sentence as Bantry Bay, merits an Index entry; the former does not. The reasons for this are not known. In light of the above, the authority of the Index must inevitably suffer. Unsourced quotes appear through-out the volume (that of Sir Halford John Mackinder on page 15 being one such example). Regrettably, the absence of supporting citations severely reduces their research value. Despite the use of numerous military acronyms and terms within the volume, there is no explanatory Glossary; What (for example) is ‘Tinned dope’ (page 156)? A layman-reader cannot be expected to know. Although discussed in a Chapter of their own (No. 20 War from the Air), the volume contains no images of the relevant aircraft.

As previously-noted this book is well-written and researched, and may well become a standard reference work on its subject. The ‘difficulties’ noted-above notwithstanding, it is likely to be of considerable use to military historians. American and British naval historians with a specific interest in activities off the Irish coast during World War I will probably find it especially informative. Layman readers interested in submarines (specifically U-boats), warships or British, American and German naval operations during World War I may also find this volume worthy of their attention. Irish Historians, and readers seeking a different perspective on ‘The Troubles’, may also find it enlightening. The photographs of ships within the Images section may also be of use to warship modellers.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8.


BOOK REVIEW: ‘Bayly’s War: The Battle for the Western Approaches in the First World War’

BOOK REVIEW: ‘The Maginot Line: History and Guide’

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Reviewer: Michael Keith

Title:  The Maginot Line: History and Guide

Author:  J.E. Kaufmann, H.W. Kaufmann, Aleksander Jankovič-Potočnik and Patrice Lang

Total Number of Pages: 308

Rating Scale (1: Very Poor, 10: Excellent): 8


This volume narrates the story of the Maginot Line; a series of fortifications constructed along the Franco-German border after World War I. In concept, the ‘Line was well-thought-out and constructed. It was built on the premise that should hostilities ever resume between France and Germany recommence, the German invader would be contained by the supposedly-impregnable fortifications and would be unable to enter La Belle Francoise. Unfortunately for the French, when the Germans did eventually re-enter (during World War II), they did so through an area of the border which the French considered to be impenetrable and through which the ‘Line did not extend.  The much-vaunted and highly-expensive Maginot Line was thus neutralised and ineffective. Despite this, the Maginot Line did subsequently see combat, although this was between German and American forces and did not occur until the latter period of World War II,  The  Maginot Line continued to play an ever-decreasing  role in French defence plans, although it had been overtaken by technology (especially with the development of nuclear weapons). In 1968 it was deemed surplus to French military requirements, with such structures as remained being sold-off to non-military organisations and individuals. This well-written and researched book is the Maginot Line’s story, and is a reprint of a volume originally published in 2011.

A two page Contents section appears at the front of the volume. Unusually, this is followed by a single-sentence Dedication. Why this should be placed where it is, instead of in the more-usual front of the book (and ahead of the Contents pages) is not explained. An Acknowledgements page then thanks those who contributed to the volume. A Glossary of Terms section is next. It provides English-language interpretation for the numerous French-language terms that the book contains, The Glossary is followed by the eight Chapters which form the main part of the book. These are divided into two sections, The first (titled ‘Part I : the Maginot Line) consists of Chapters 1-5 and provides historical and technical ‘background. The second (titled Part II: The Maginot Line and Other Sites Today), consists of Chapters 6-8 and is intended as a ‘guide book’ for use by interested visitors. Where necessary, sub-headings appear within each chapter. Additional information is provided within each chapter by chapter-specific end-notes. These are arranged sequentially within each chapter; the citations being placed at chapter-end. To assist visitors to what remains of the Maginot defences, the second section (titled Part II: The Maginot Line and Other Sites Today) contains ‘… A list of sites that can be visited today and that we recommend’ [Author’s italics]. Associated with this is a star-based system that ‘… Indicates accessibility in the main tourist season’. Six Appendices are placed after Chapter 8. They information they contain supplements that appearing within the main part of the volume. A Bibliography then details the printed and electronic sources which were used when the volume was being written. A six-page Index completes the book. In addition to the above, this volume contains numerous Photographs, Half-tone drawings, Maps, Plans and Tables from a variety of sources. There is no mention of their existence on either the Contents pages or within the Index.

Military historians with a specific interest in either static fortifications or the Maginot Line itself, are likely to find this volume of interest. It may also appeal to both military and ‘civilian’ historians with a more generalist perspective. Readers interested in World War II’s European Theatre may also find it worthy of inspection Part II of the volume may also be useful to holiday-makers with an interest in the Maginot Line, while war-gamers and military modellers could find the volume’s diagrams and photographs of use.

This volume is impressively well-researched and full of information. As previously noted however, there is no mention of the existence of Photographs, Half-tone drawings, Maps, Plans and Tables on either the Contents pages or within the Index. This absence makes searching for specific information time-consuming, with no guarantee that the information being sought will even be found. Although this reviewer found such omissions frustrating, how important they are will depend on the individual reader.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8.


BOOK REVIEW: ‘The Maginot Line: History and Guide’