Reviewer: Michael Keith
Title: The Analogue Revolution: Communication Technology 1901-1914
Author: Simon Webb
Total Number of Pages: 158
Rating Scale (1: Very Poor, 10: Excellent): 7 ½
In this volume’s Introduction, the author observes the ‘The roots of our modern Information Revolution are to be found in the Edwardian Era’. With that pronouncement made, he then proceeds to provide reasoned and well-considered argument to support his case, using the Twenty-first Century’s Digital Revolution as a reference point for what follows. The result is a well-written, well-researched, highly informative and eminently-readable volume
Within the volume, a List of Plates immediately behind the Contents page lists, in abbreviated form, the captions carried by the 20 images appearing within an eight page images’ section in the book’s centre. The ‘List, is in turn followed by an Introduction. Within this the author precis’ what is to follow within the 10 Chapters which form the bulk of the volume. The Chapters take the reader from the Victorian-era to the start of World War I and, in Chapter 10, to The Enduring Legacy of the Analogue Revolution, in which he discusses the ‘The astonishing durability of the physical manifestations of the information technology perfected during the Edwardian period’ and the reasons why such machinery is still ‘earning its keep’ over a century after it was originally constructed. An Endword follows. In this the author considers the similarities and differences between the current Digital Age and its Edwardian predecessor, and presents his thoughts as to what the future might hold. A two-page Bibliography follows, and is in turn followed by the Index; the volume’s final section. As previously-noted there is a small (eight page), ‘images’ (Plates) section at the centre of the volume. In addition to the usual photographs, the images appearing within it include postcards, advertisements, plans and etchings. All are monochrome, informatively and clearly captioned and are alluded to within the volume when appropriate to the narrative.
As already noted, this volume is well-written, well-researched, highly-informative and eminently readable. For this reviewer however, it is let down by its Index. While reviewing a volume, this reviewer randomly looks in its Index for words which interest him. When reviewing this volume however, he found that, in many instances, the words being sought did not appear within the Index. While numerous examples could be presented, those found on page 52 will suffice. With words such as Port Arthur, Alan Moorhead, St Petersburg, and Petrograd appearing on that page it would be reasonable to expect to find them in the Index. Such was not the case, while the omission of Frederick Lee (on page 57, and despite appearing in the same sentence as Edward Turner; his fellow patentee) is even more curious. The omissions were both widespread and random, to the extent that this reviewer eventually ceased to rely on the Index as a reliable source of information. He now has serious reservations about the Index’s authority and veracity. Unsourced Quotes have been used throughout the volume. In the absence of verifying citations, they have little research value and authority and, indeed, could well have been written by anyone. How important such things might be will, of course, depend on the reader / purchaser’s requirements.
Due to the width of its research, and despite the ‘limitations’ previously described, this volume bids fair to become an authoritative work on its subject. As it combines both technology and social history, this volume is likely to appeal to Historians with an interest in either or both of these subjects, particularly in the context of Great Britain in the Nineteenth and early Twentieth Centuries. Those with a specific interest in the invention and use of such things as Cinema, the Telephone, Radio /Wireless etc. may also find the volume of interest, while due to its easy-to-read style layman-readers wishing to learn more about the origins of both ‘Digital’ and Analogue’ technologies, and their inter-relationships, may also find it worthy of their attention.
On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7 ½.