BOOK REVIEW: ‘Early Railways: A Guide for the Modeller’

102. MODELLING EARLY RAILWAYS

Reviewer: Michael Keith

Title: Early Railways: A Guide for the Modeller

Author: Peter Chatham, Stephen Weston

Total Number of Printed Pages: 120

Rating Scale (1: Very Poor, 10: Excellent): 9

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When writing in this volume’s Introduction, the author states that ‘The aim of this book is to promote and assist the modelling of that formative period of railway history from the very earliest steam railways back to the reign of King George III, up to about 1880 or so, a period which, for modellers in Britain at least, has been covered scarcely, if at all, in book form’. As a precis of what to follow, it is excellent.

Within the book itself, an Acknowledgements section placed behind the Contents page thanks those individuals and organisations which contributed to its content. This is followed by the previously-noted Introduction. The Introduction is in itself a multi-facetted beast, as aside from précising the contents of the volume, it also explains in great detail, such aspects of its subject as railway and social history, signalling, materials, sources and paints, the three latter written specifically with railway modellers in mind. Internet sources are given where appropriate. It is, in summary, very comprehensive. The six Chapters which comprise the main part of the volume now appear. As evidenced by its title (Mike Sharman – a Pioneer Modeller of Early Railways), the first pays tribute to a specific individual ‘… Who modelled the very early railways’ and ‘…Tells the story of how he set about modelling and promoting the early days [of railways]’. Included within this section are track plans and photographs of a variety of subjects relevant to the narrative. Curiously, the Chapter concludes with a ‘Mini Bibliography’ (titled Further Reading) which lists relevant literature specific to it subject. It is a detail not found anywhere else within the volume. Chapter 2 (Infrastructure) now appears and is followed in turn by three others. Their titles: Locomotives (Chapter 3), Carriages (Chapter 4) and Wagons (Chapter 5) are indicative of their content. As will be evident from its title (Layouts and Models), Chapter 6 is devoted to models of appropriate period locomotives and rolling stock and, by use of photographs shows how the previously-provided information can be recreated in model form in a variety of scales. The models and layouts are a delight and are accompanied by informative notes relevant to the specific items on display. A two-page Appendix follows. Titled Sources of supply for modellers, its content is self-evident, and is described as being a ‘…List of prominent manufacturers’ of period equipment from whom such items may be obtained. Notably (and in addition to the expected O and OO gauges), these include several who have equipment in the larger (‘Gauge 3’) and smaller (‘N’) gauges; thus widening the potential audience for this volume. A Bibliography follows.  While, as expected, this lists the printed texts alluded-to within the volume, its authors have added title-appropriate notes below each entry to assist modellers in search of specific information; an unusual and appreciated touch. A two-page Index completes the volume.  Although largely British-focussed, the book also contains references to both contemporary Continental European and American practices. It contains numerous monochrome and colour photographs and lithographs, as well as relevant locomotive, carriage and wagon plans. A layout diagram (that of one of Mike Sharman’s efforts) also appears, and where relevant to the narrative, technical diagrams showing the evolution of railway track are included. All are captioned and, with a small number of exceptions, contain appropriate citations indicating their sources.

While this reviewer could find little to fault with this volume, he did have issues with the book’s Index. Random searching found several entries within the book that were not supported by Index entries. Of these (and in view of its prominence on page 85 (Carriages), somewhat surprisingly), he could find no Index entries for PLM (Compagnie des Chermins de Fer de Paris `a Lyon et `a la Mediterranėe) under either PLM or the full company name. There were other, similar, ommissions; a small matter perhaps, but enough to raise questions about what else might also be missing.

That detail notwithstanding, it is very evident that this volume has been a labour of love for the authors. It is comprehensive, very informative and very well written. It is likely to appeal both to railway modellers who have a specific interest in its subject, and to those of a similar ilk who are just interested in ‘early’ railways, but with no inclination towards actually modelling the era. Transport Historians with an interest in early British, Continental and American railways may also find it of interest, while Social Historians seeking depictions and descriptions of early Nineteenth Century Britain may also find it worthy of their perusal.

On a Rating Scale where 1: Very Poor, 10: Excellent), I have given this volume a 9.

It is well deserved.

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BOOK REVIEW: ‘Early Railways: A Guide for the Modeller’

BOOK REVIEW: ‘Uzbekistan: An Experience of Cultural Treasures to Colour’

101.UZBEKISTAN COLOURING BOOK (NOT REVIEWED YET 17 MAY 2019) 20190503_161427 (2)

Reviewer: Michael Keith

Title:  Uzbekistan: An Experience of Cultural Treasures to Colour

Author: Lola Karimova-Tillyaeva, Babour Ismailov, Binafsha Nodir, Davron Toshev

Total Number of Pages: 143

Rating Scale (1: Very Poor, 10: Excellent): 7

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According to its cover notes, the volume is intended to be ‘…A celebration of the arts and pictorial traditions of Uzbekistan’ doing-so with ‘Photographs of architectural works, murals, ceramics, tapestries and ornamental textiles’, and as part of this, ‘…The reader is given the opportunity to colour in their own drawings based on the beautiful photographs provided’. The result is simultaneously both a ‘Colouring book’ (albeit a very nice and well-presented one), yet equally a volume showcasing Uzbeki culture. It is an unusual treatment of an unusual subject.

Surprisingly, the volume contains no Contents page; the first page encountered being an untitled one which serves as an Introduction to its subject. This provides a broad historical background to the architecture and designs which are to follow. The first of five Sections which form the main part of the volume now appear. Although not defined as such (and un-numbered), these sections are analogous to Chapters. They cover the previously-mentioned subjects of architectural woks, murals, ceramics, tapestries and ornamental textiles with the unifying factor common to all, being patterns unique to Uzbekistan. These patterns mostly appear as full-page coloured photographs of unknown origin within each section, and in most instances are reproduced as line drawings on an adjacent page. It should be noted however, that, for unknown reasons, pages 54-65 do not contain reference images. Although some images contain a more detailed explanation about their subject (that of Mosaic Décor of Sherdor Madrasah, being one such example), the majority contain only a brief caption, this being placed alongside the appropriate photograph. Surprisingly (and although the intention is that the reader use coloured media such as crayons, pencils or paint to replicate the colours the coloured image contains), no guidance is given as to the colours that should be used, the volume’s complier’s evidently believing that the viewer can make this decision for themselves and ignoring the fact that there are numerous shades of a specific colour (‘Brown’ being but one example). Although a variety of Uzbecki words appear throughout the volume, it contains no interpretative Glossary. What (for example) is Ganch? (Section 2) The section itself offers no explanation and as the word does not appear in the previously-referenced Introduction, a reader can have no idea. Despite being located in a little-known part of the world, no maps are provided to assist the geographically-challenged reader.

The previously-noted ‘limitations’ notwithstanding, it is very evident that this book is a labour of love, yet its exact purpose is uncertain. The problem is that the volume is neither Fish nor Fowl. On one hand it is a celebration of Uzbeki culture and as such is beautifully presented, yet equally it is a Colouring Book, a genre that is at the lower end of the publishing market and more-frequently (and traditionally) associated with children rather than adults. What has resulted in this instance (at least for this reviewer) is a ‘compromise’ that is unable to decide its exact purpose, and is cheapened by this indecision. Were that that was not the case.

Aside from Uzbeki nationals who will purchase it for nostalgic reasons, it is possible that this volume will appeal to several different readerships. These could include ‘Orientalists’ who are interested in Middle Eastern cultures and their attributes, ‘Colourists’ who are seeking different subjects for their talents, and those who simply like beautiful images with a Middle Eastern theme. Artists with an interest in ‘Eastern’ themes and artworks may also find the images contained within this volume worthy of their attention.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7.

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BOOK REVIEW: ‘Uzbekistan: An Experience of Cultural Treasures to Colour’

BOOK REVIEW: ‘Indoor Wildlife: Revealing the Creatures Inside Your Home’

100. INDOOR WILDLIFE

Reviewer:  Michael Keith

Title: Indoor Wildlife: Revealing the Creatures Inside Your Home

Author: Gerald E. Cheshire

No. of Pages: 85

Rating Scale (1: very poor, 10: excellent): 6

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In his Introduction to this volume, the author states that it ‘…Examines the environments inside our homes that offer sanctuary and somewhere to live for many animals and a few plants [that] find our homes suitable of habitation …’ It is an excellent precis of what is to follow, but as will be seen (for this reviewer at least), draws a very long bow.

The book opens with the aforementioned Introduction. Within this, the author details the many creature-desirable environments that the average domestic dwelling has to offer. He also notes that industrial and rural locations can, in many instances, offer similar possibilities to whichever organism cares to take advantage (‘exploit’) what is on offer.  The five unnumbered Sections (analogous to Chapters) that comprise the main part of the volume then follow, with each Section being devoted to s particular type of organism. Surprisingly, given the book’s title, these range from mammals to moulds, bacteria and even viruses (the ‘Very long bow’, previously alluded-to), these latter appearing under the broad classification of Flora. Regrettably, within each Section, the format and information provided follows no uniform pattern, and could at best be described as being ‘muddled’. The Section on Mammals (for example) carries no introductory subsection relating to its subject, while that of the Section titled Birds does-so, as do those on Invertebrates and Flora. This lack of uniformity is, at minimum, disconcerting. Subsections within each Section are used to describe a specific organism, but yet again, this practice is haphazard and seemingly random, the section Birds containing little more than single-sentence captioned photographs, while that of Flies (a subsection within the Invertebrates section) receives wide and detailed coverage. There are numerous, similar, examples. Regrettably, this ‘bias’, leaves the very distinct impression that the author’s primary interest (and this volume’s focus) concerns very small lifeforms of all varieties to the exclusion of almost everything else. Such text as is provided is supported in many instances by high quality colour photographs some sourced, some not, but again, this support does not extend to every section, with Simple Plants (a subsection of Flora) receiving no image, while Wood Rots (within the same section) has been the recipient of two. The existence of such images is not mentioned on the Contents page. No Index is provided, and the existence of the subsections within each larger Section is also not alluded to on the Contents page, a situation which this reviewer believes promotes unnecessary searching.

This reviewer found this volume frustrating. He expected to find a book containing detailed, image-supported descriptions of the creatures which inhabit the average domestic dwelling, and to a certain extent these criteria were met. He did not however expect to find descriptions of Environmental Viruses and Moulds , Pathogenic Moulds or Timber Rots as part of the narrative, nor a very evident bias towards ‘creepy-crawlies’, this latter to the exclusion of larger life-forms.  For him, the difference in coverage between Birds and Insects was very evident, emphasised by the volume’s previously-mentioned ‘Muddled’ format. The absence of an Index and the consequent need to make numerous (and at times fruitless) searches for a specific organism did not help.

So what to make of the result?

The previous comments notwithstanding, this volume is informative and well-illustrated, with the qualification that it leans heavily towards insects and their ilk. Readers seeking information about the very small creatures, moulds and viruses that co-exist with them within in their domestic environments are likely to find this book of considerable interest and very informative. However, readers seeking similar information about the avian lifeforms they encounter around their dwellings may be disappointed; the coverage of the latter being minimal.

On a Rating Scale where 1: very poor, 10: excellent: I have given this volume a 6.

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BOOK REVIEW: ‘Indoor Wildlife: Revealing the Creatures Inside Your Home’

BOOK REVIEW ‘A History of the Royal Hospital Chelsea 1682-2017: The Warriors’ Repose’

 

99.CHELSEA PENSIONERS

Reviewer: Michael Keith

Title:  A History of the Royal Hospital Chelsea 1682-2017: The Warriors’ Repose

Author: Stephen Wynn, Tanya Wynn

Total Number of Pages: 230

Rating Scale (1: Very Poor, 10: Excellent):  7

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In a note on this volume’s dustjacket, the authors state that that the book ‘…Looks at the hospital’s beginnings…goes on to look at some of the characters who have been Pensioners at the hospital over the centuries as well as some of the individuals who have been buried in the hospital’s grounds. There is also an in depth look at the hospital’s governors [and] a look in some detail at a few of those who currently live and work in the hospital’. It is an excellent precis’.

The book opens with the fourth verse of Laurence Binyon’s well-known poem For the Fallen; the verse which begins: They shall not grow old… It is an appropriate Dedication. The Title and Contents pages follow in succession. An Introduction is next; while providing background to the book, it also summarises its content.  The 14 Chapters which comprise the bulk of the volume now appear. Chapters 1-4 introduce the reader to both the hospital itself and to noteworthy individuals and events which are associated with it. They may best be described as being the ‘Historical’ section of the volume. Where appropriate, subheadings within each Chapter detail both specific events and individuals. Chapters 5-to 12 may best be described as being ‘People’-focussed, the majority of their content being in the nature of biographical details for named individuals. Within this bloc, and where appropriate, specific individuals have been allocated a Chapter to themselves, with Baroness Margaret Thatcher (Chapter 6 Margaret Thatcher) being one of several individuals accorded this honour. The Royal Hospital Chelsea is a partly British Government-funded institution and Chapter 13 (Hansard Discussions) records the Hospital-related discussions which have occurred in the House of Commons since 1807. Such debates are recorded verbatim in Hansard (the official record of such discussions), with those records forming the basis of entries within the Chapter. Chapter 14 (Correspondence) contains both text and photographic copies of ‘…A few post cards and a letter connected to the Royal Hospital…’ The title is self-explanatory. A section titled Conclusion follows. This both summarises the volume and permits the authors to express their opinions on the institution’s present and possible future.  A biographical section titled About the Author follows. Again, its title is self-explanatory. Curiously, a 15-entry Subsection occurs within that section. Titled Sources, it is bibliographic in nature and function. A four-page Index completes the volume. It is not however the book’s final printed page, this honour being accorded to a final (albeit unnumbered) page placed behind page 229 on which  there is an advertisement for Pen and Sword-published titles which can be ordered from both the author and the Publisher. The volume contains 53 largely-unsourced monochrome images, defined as Figures. These are numbered sequentially and informatively captioned. Unsurprisingly, they are largely people-focussed but also include other items relevant to the narrative. For unknown reasons, the last image (on page 221) is not numbered. Although it would have helped readers to precisely-locate the Royal Hospital Chelsea the volume contains no Map.

Although this volume is well-written, for this reviewer it was badly let down by its Index, A random search within the Index for names and locations occurring within the volume found numerous examples where such names were omitted. These includes such entries as that for Michael Hurley (pages 204-205), and Patrick Johnson (page 146), while John Price, despite being the subject of a substantial entry on pages 202 and 203 was also absent from the Index. It was also noted that where some subjects were accorded an Index entry, these were incomplete; the Wren Chapel being but one such example: Although carrying Index entries for pages 18 and 20, that on page 86 was omitted. As other, similar, examples of the above were also found, the authority and veracity of the Index inevitably suffered, especially as the ommissions appear to be very numerous. There is no way to know the extent of the problem. The volume also contains numerous unsourced Quotes. In the absence of supporting citations, it is possible to suggest that these are imagined; there again being no way to know otherwise with certainty. The standard of proofreading was also disappointing, with several examples of incorrect entries being noted (page 85; 1918, not 2018), together with spelling mistakes. It was also noted that book titles, where appearing within the text, were not accorded acknowledgment through either a Footnote or an Endnote.

Although for this reviewer at least, it was let down by the previously-mentioned ‘difficulties’, it is very evident that this volume is a labour of love. In the absence of any other contemporary volumes on the Royal Hospital Chelsea, it is likely to become a standard work of reference for its subject. On that basis it may appeal to readers of all persuasions with an interest in British military history, while military historians with a similar interest may also find it worthy of their attention. Health and social historians and researchers may also find it worthy of perusal.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7.

It should have been much higher.

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BOOK REVIEW ‘A History of the Royal Hospital Chelsea 1682-2017: The Warriors’ Repose’

BOOK REVIEW: ‘All Things Georgian: Tales from the Long Eighteenth Century’

97. ALL THINGS GEORGIAN

Reviewer: Michael Keith

Title: All Things Georgian: Tales from the Long Eighteenth Century

Authors: Joanne Major, Sarah Murden

Total Number of Pages: 170

Rating Scale (1: Very Poor, 10: Excellent): 7

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When describing the contents of this volume, its Dustjacket notes that it is a ‘…Collection of twenty-five true tales‘…’In roughly chronological order, covering the reign of the four Georges, 1714-1830 and set within the framework of the main events of the era’. It also notes that within it, the reader will ‘Meet actresses, whores and high-born ladies, politicians, inventors, royalty and criminals…’ It is an accurate summary of what follows.

Within the book itself, an Acknowledgments section is placed immediately after the Contents page. As would be expected, it thanks those individuals and organisations who assisted the authors in the preparation of the volume. This is in turn followed by an Introduction. Within this, two sub-sections provide both historical background to the era and of the Hanoverian royal dynasty which so-dominated the United Kingdom during the time under discussion. A section titled Timeline of Events Relevant to the Long Eighteenth Century follows; its title is self-explanatory. The 25 Chapters which form the main part of the work now appear. As previously-noted these comprise 25 stories relating to the activities of various notorious and well-known individuals within Eighteenth Century Britain and Europe. It should be noted that of the 24 tales presented (Chapter 25 being a summary of the era) 19 could be described as ‘Female focussed’. The reasons for this are unknown. A section titled Notes and Sources follows Chapter 25. As indicated by its title, it is equivalent to a Bibliography. The final section of the volume is an oddity, and consists of three pages listing books written by the authors, together with accompanying reviews. The section is unashamedly self-promotional and whether it is appropriate for the volume is something that only the reader can decide. There is no Index. The volume is well illustrated with both monochrome and colour images including plans and other images relevant to the narrative. Where possible the individual being discussed within each Chapter, is also depicted. However, a lack of such images has meant that at times these are of the ‘supporting cast’ to the tale. Although the images are certainly captioned and carry the appropriate citations, for a large number, the captions are single-sentence in format and can best be described as being ‘adequate’. It should be noted that, in several instances, although there was no ‘cross-referencing’ between the two sections, (text and image) it appeared that the reader was expected to associate the image with the text they were reading. The volume contains numerous Quotes. However, these do not carry supporting citations and in the absence of the latter, the authenticity of said Quotes must inevitably be questioned, together with their value as a research tool.  The volume contains one Map. This is an outline of the British Isles, and carries the names of various locations that are apparently mentioned within the volume. It does not however have a formal title, leaving the reader to guess at its function and usefulness, while its existence does not rate a mention on the Contents page.

As previously-noted, the volume has several ‘mechanical’ shortcomings, including the lack of an Index, unsupported Quotes, an untitled Map and Captions which are, at best, ‘adequate’. These are not unexpected. However, when requesting this volume for review purposes, and on the basis of its title (All Things Georgian: Tales from the Long Eighteenth Century) this reviewer expected to find a social history of the period. To a limited degree that is what he received, with the qualification that such information was an adjunct to the narrative rather than its focus. He did not however expect to meet the ‘… Actresses, whores and high-born ladies, politicians, inventors, royalty and criminals’ previously mentioned, to the extent that the endless repletion of the activities of such individuals became monotonous and (eventually) boring. The writing and research was excellent, but the basic topic (humankind’s largely-sexual failings), when repeated over and over again, deprived the volume whatever literary charm it might have held.

Undoubtedly this volume will appeal to those with an interest of any kind in the lifestyles of the Eighteenth Century’s rich and famous. Social historians might also find it useful, while readers with an interest in the art and architecture of the era may also find it worthy of their perusal.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this book a 7.

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BOOK REVIEW: ‘All Things Georgian: Tales from the Long Eighteenth Century’

BOOK REVIEW: ‘Vietnam’s Final Air Campaign: Operation Linebacker I & II May-December 1972’

96. OPERATION LINEBACKER VIETNAM WAR

Reviewer: Michael Keith

Title:  Vietnam’s Final Air Campaign: Operation Linebacker I & II May-December 1972

Author: Stephen Emerson

Total Number of Pages: 128

Rating Scale (1: Very Poor, 10: Excellent):

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The American air operations known collectively as Linebacker I and II occurred in 1972, during the Vietnam War and were an 11-day-long aerial bombing campaign intended to force the North Vietnamese to seriously-negotiate a formal peace settlement between the United States of America and North Vietnam and so bring to an end the aforementioned war. In that it was successful, and the machinations and military activities which occurred immediately-prior-to and during the operations, form the subject of this very readable volume.

The book opens with the expected Contents page which, in addition to the usual chapter headings etc., also contains a list of the Maps the book contains; a Chart (U.S. Troop Levels 1964-1973), a Diagram (Typical Linebacker Force Composition) and a Table (U.S. Air Losses for Linebacker II, December 18-28, 1972). It is an ‘Admirable’ inclusion and saves a lot of time in respect of searching. A two-page Glossary follows. This clarifies the military terminology used throughout the book and is in turn followed by an Acknowledgements section within which the author, while thanking those who helped with information, also pays tribute to ‘…All the men who flew in or supported Operation Linebacker I and II in 1972’; it is a nice touch. The seven Sections (analogous to Chapters, but not named as such) follow. Of these, Sections One to Five provide the necessary background to what is detailed in Chapter Six (Unleashing the Dogs of War), and as such portend and explain what is to come; the activities outlined in Chapter Six being the ultimate focus of the volume Where relevant to the narrative, while equally stories in their own right, sections of text have been placed within boxed areas within the larger ‘chapter’ With Chapter 6 having been the focus of the narrative, an analysis becomes necessary. This is provided by the volume’s last section (Number 7 and titled Post Mortem), the title being self-explanatory. Within each Section, Subsections are used to provide additional information, and, where necessary, Endnotes are used to indicate the existence of additional reference material. The latter are sequential, Section-specific, and numeric in format; the individual citations appearing in a designated Notes section placed after Chapter 7.  A Bibliography follows that section and is in turn followed by the volume’s Index; the book’s last section. The narrative is accompanied by numerous monochrome Images from a variety of sources; some acknowledged, many not. A selection of coloured Images also appears, and is placed in an eight-page section in the centre of the volume.The Images are informatively captioned, but neither the Contents nor Index sections contain reference to their existence. As previously-noted Charts, Diagrams, Tables and Maps appear within the volume and are valuable aide memoirs to the narrative.

While this is an excellent tale and both well-told and written, for this reviewer, it was let down by the ‘little things’; the ‘details’ if you will. Of these the Index was the most problematic, with several randomly-sought locations being denied an Index entry despite being deemed worthy of a mention within the larger narrative.  Although others were also found, Mu Gia Pass (page 24) and the Thai Nguyen rail complex (page 108) will suffice as examples. The appearance of several Quotes without citations was also noted, as were a small number of spelling mistakes and grammatical errors.

As previously-noted this is a well-written and well-told volume and, despite the previously-referenced ‘little things’, begs fair to become a Standard Reference Work on its subject.  As such it may be of interest to aviation and military historians, while readers seeking clarification as to what who did what and why during the latter days of the Vietnam War, may also find it informative. Due to the large number of aviation-related images military-aviation enthusiasts and aero modellers may also find this book useful in their researches.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8½.

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BOOK REVIEW: ‘Vietnam’s Final Air Campaign: Operation Linebacker I & II May-December 1972’

BOOK REVIEW: ‘The Analogue Revolution: Communication Technology 1901-1914’

92. Analogue Technology

Reviewer: Michael Keith

Title:  The Analogue Revolution: Communication Technology 1901-1914

Author: Simon Webb

Total Number of Pages: 158

Rating Scale (1: Very Poor, 10: Excellent): 7 ½

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In this volume’s Introduction, the author observes the ‘The roots of our modern Information Revolution are to be found in the Edwardian Era’. With that pronouncement made, he then proceeds to provide reasoned and well-considered argument to support his case, using the Twenty-first Century’s Digital Revolution as a reference point for what follows. The result is a well-written, well-researched, highly informative and eminently-readable volume

Within the volume, a List of Plates immediately behind the Contents page lists, in abbreviated form, the captions carried by the 20 images appearing within an eight page images’ section in the book’s centre. The ‘List, is in turn followed by an Introduction. Within this the author precis’ what is to follow within the 10 Chapters which form the bulk of the volume.  The Chapters take the reader from the Victorian-era to the start of World War I and, in Chapter 10, to The Enduring Legacy of the Analogue Revolution, in which he discusses the ‘The astonishing durability of the physical manifestations of the information technology perfected during the Edwardian period’ and the reasons why such machinery is still ‘earning its keep’ over a century after it was originally constructed. An Endword follows. In this the author considers the similarities and differences between the current Digital Age and its Edwardian predecessor, and presents his thoughts as to what the future might hold. A two-page Bibliography follows, and is in turn followed by the Index; the volume’s final section. As previously-noted there is a small (eight page), ‘images’ (Plates) section at the centre of the volume. In addition to the usual photographs, the images appearing within it include postcards, advertisements, plans and etchings. All are monochrome, informatively and clearly captioned and are alluded to within the volume when appropriate to the narrative.

As already noted, this volume is well-written, well-researched, highly-informative and eminently readable. For this reviewer however, it is let down by its Index. While reviewing a volume, this reviewer randomly looks in its Index for words which interest him. When reviewing this volume however, he found that, in many instances, the words being sought did not appear within the Index. While numerous examples could be presented, those found on page 52 will suffice.  With words such as Port Arthur, Alan Moorhead, St Petersburg, and Petrograd appearing on that page it would be reasonable to expect to find them in the Index. Such was not the case, while the omission of Frederick Lee (on page 57, and despite appearing in the same sentence as Edward Turner; his fellow patentee) is even more curious. The omissions were both widespread and random, to the extent that this reviewer eventually ceased to rely on the Index as a reliable source of information. He now has serious reservations about the Index’s authority and veracity. Unsourced Quotes have been used throughout the volume. In the absence of verifying citations, they have little research value and authority and, indeed, could well have been written by anyone.  How important such things might be will, of course, depend on the reader / purchaser’s requirements.

Due to the width of its research, and despite the ‘limitations’ previously described, this volume bids fair to become an authoritative work on its subject. As it combines both technology and social history, this volume is likely to appeal to Historians with an interest in either or both of these subjects, particularly in the context of Great Britain in the Nineteenth and early Twentieth Centuries.  Those with a specific interest in the invention and use of such things as Cinema, the Telephone, Radio /Wireless etc. may also find the volume of interest, while due to its easy-to-read style layman-readers wishing to learn more about the origins of both ‘Digital’ and Analogue’ technologies, and their inter-relationships, may also find it worthy of their attention.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7 ½.

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BOOK REVIEW: ‘The Analogue Revolution: Communication Technology 1901-1914’