BOOK REVIEW: ‘All Things Georgian: Tales from the Long Eighteenth Century’

97. ALL THINGS GEORGIAN

Reviewer: Michael Keith

Title: All Things Georgian: Tales from the Long Eighteenth Century

Authors: Joanne Major, Sarah Murden

Total Number of Pages: 170

Rating Scale (1: Very Poor, 10: Excellent): 7

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When describing the contents of this volume, its Dustjacket notes that it is a ‘…Collection of twenty-five true tales‘…’In roughly chronological order, covering the reign of the four Georges, 1714-1830 and set within the framework of the main events of the era’. It also notes that within it, the reader will ‘Meet actresses, whores and high-born ladies, politicians, inventors, royalty and criminals…’ It is an accurate summary of what follows.

Within the book itself, an Acknowledgments section is placed immediately after the Contents page. As would be expected, it thanks those individuals and organisations who assisted the authors in the preparation of the volume. This is in turn followed by an Introduction. Within this, two sub-sections provide both historical background to the era and of the Hanoverian royal dynasty which so-dominated the United Kingdom during the time under discussion. A section titled Timeline of Events Relevant to the Long Eighteenth Century follows; its title is self-explanatory. The 25 Chapters which form the main part of the work now appear. As previously-noted these comprise 25 stories relating to the activities of various notorious and well-known individuals within Eighteenth Century Britain and Europe. It should be noted that of the 24 tales presented (Chapter 25 being a summary of the era) 19 could be described as ‘Female focussed’. The reasons for this are unknown. A section titled Notes and Sources follows Chapter 25. As indicated by its title, it is equivalent to a Bibliography. The final section of the volume is an oddity, and consists of three pages listing books written by the authors, together with accompanying reviews. The section is unashamedly self-promotional and whether it is appropriate for the volume is something that only the reader can decide. There is no Index. The volume is well illustrated with both monochrome and colour images including plans and other images relevant to the narrative. Where possible the individual being discussed within each Chapter, is also depicted. However, a lack of such images has meant that at times these are of the ‘supporting cast’ to the tale. Although the images are certainly captioned and carry the appropriate citations, for a large number, the captions are single-sentence in format and can best be described as being ‘adequate’. It should be noted that, in several instances, although there was no ‘cross-referencing’ between the two sections, (text and image) it appeared that the reader was expected to associate the image with the text they were reading. The volume contains numerous Quotes. However, these do not carry supporting citations and in the absence of the latter, the authenticity of said Quotes must inevitably be questioned, together with their value as a research tool.  The volume contains one Map. This is an outline of the British Isles, and carries the names of various locations that are apparently mentioned within the volume. It does not however have a formal title, leaving the reader to guess at its function and usefulness, while its existence does not rate a mention on the Contents page.

As previously-noted, the volume has several ‘mechanical’ shortcomings, including the lack of an Index, unsupported Quotes, an untitled Map and Captions which are, at best, ‘adequate’. These are not unexpected. However, when requesting this volume for review purposes, and on the basis of its title (All Things Georgian: Tales from the Long Eighteenth Century) this reviewer expected to find a social history of the period. To a limited degree that is what he received, with the qualification that such information was an adjunct to the narrative rather than its focus. He did not however expect to meet the ‘… Actresses, whores and high-born ladies, politicians, inventors, royalty and criminals’ previously mentioned, to the extent that the endless repletion of the activities of such individuals became monotonous and (eventually) boring. The writing and research was excellent, but the basic topic (humankind’s largely-sexual failings), when repeated over and over again, deprived the volume whatever literary charm it might have held.

Undoubtedly this volume will appeal to those with an interest of any kind in the lifestyles of the Eighteenth Century’s rich and famous. Social historians might also find it useful, while readers with an interest in the art and architecture of the era may also find it worthy of their perusal.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this book a 7.

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BOOK REVIEW: ‘All Things Georgian: Tales from the Long Eighteenth Century’

BOOK REVIEW: ‘Vietnam’s Final Air Campaign: Operation Linebacker I & II May-December 1972’

96. OPERATION LINEBACKER VIETNAM WAR

Reviewer: Michael Keith

Title:  Vietnam’s Final Air Campaign: Operation Linebacker I & II May-December 1972

Author: Stephen Emerson

Total Number of Pages: 128

Rating Scale (1: Very Poor, 10: Excellent):

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The American air operations known collectively as Linebacker I and II occurred in 1972, during the Vietnam War and were an 11-day-long aerial bombing campaign intended to force the North Vietnamese to seriously-negotiate a formal peace settlement between the United States of America and North Vietnam and so bring to an end the aforementioned war. In that it was successful, and the machinations and military activities which occurred immediately-prior-to and during the operations, form the subject of this very readable volume.

The book opens with the expected Contents page which, in addition to the usual chapter headings etc., also contains a list of the Maps the book contains; a Chart (U.S. Troop Levels 1964-1973), a Diagram (Typical Linebacker Force Composition) and a Table (U.S. Air Losses for Linebacker II, December 18-28, 1972). It is an ‘Admirable’ inclusion and saves a lot of time in respect of searching. A two-page Glossary follows. This clarifies the military terminology used throughout the book and is in turn followed by an Acknowledgements section within which the author, while thanking those who helped with information, also pays tribute to ‘…All the men who flew in or supported Operation Linebacker I and II in 1972’; it is a nice touch. The seven Sections (analogous to Chapters, but not named as such) follow. Of these, Sections One to Five provide the necessary background to what is detailed in Chapter Six (Unleashing the Dogs of War), and as such portend and explain what is to come; the activities outlined in Chapter Six being the ultimate focus of the volume Where relevant to the narrative, while equally stories in their own right, sections of text have been placed within boxed areas within the larger ‘chapter’ With Chapter 6 having been the focus of the narrative, an analysis becomes necessary. This is provided by the volume’s last section (Number 7 and titled Post Mortem), the title being self-explanatory. Within each Section, Subsections are used to provide additional information, and, where necessary, Endnotes are used to indicate the existence of additional reference material. The latter are sequential, Section-specific, and numeric in format; the individual citations appearing in a designated Notes section placed after Chapter 7.  A Bibliography follows that section and is in turn followed by the volume’s Index; the book’s last section. The narrative is accompanied by numerous monochrome Images from a variety of sources; some acknowledged, many not. A selection of coloured Images also appears, and is placed in an eight-page section in the centre of the volume.The Images are informatively captioned, but neither the Contents nor Index sections contain reference to their existence. As previously-noted Charts, Diagrams, Tables and Maps appear within the volume and are valuable aide memoirs to the narrative.

While this is an excellent tale and both well-told and written, for this reviewer, it was let down by the ‘little things’; the ‘details’ if you will. Of these the Index was the most problematic, with several randomly-sought locations being denied an Index entry despite being deemed worthy of a mention within the larger narrative.  Although others were also found, Mu Gia Pass (page 24) and the Thai Nguyen rail complex (page 108) will suffice as examples. The appearance of several Quotes without citations was also noted, as were a small number of spelling mistakes and grammatical errors.

As previously-noted this is a well-written and well-told volume and, despite the previously-referenced ‘little things’, begs fair to become a Standard Reference Work on its subject.  As such it may be of interest to aviation and military historians, while readers seeking clarification as to what who did what and why during the latter days of the Vietnam War, may also find it informative. Due to the large number of aviation-related images military-aviation enthusiasts and aero modellers may also find this book useful in their researches.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume an 8½.

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BOOK REVIEW: ‘Vietnam’s Final Air Campaign: Operation Linebacker I & II May-December 1972’

BOOK REVIEW: ‘The Analogue Revolution: Communication Technology 1901-1914’

92. Analogue Technology

Reviewer: Michael Keith

Title:  The Analogue Revolution: Communication Technology 1901-1914

Author: Simon Webb

Total Number of Pages: 158

Rating Scale (1: Very Poor, 10: Excellent): 7 ½

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In this volume’s Introduction, the author observes the ‘The roots of our modern Information Revolution are to be found in the Edwardian Era’. With that pronouncement made, he then proceeds to provide reasoned and well-considered argument to support his case, using the Twenty-first Century’s Digital Revolution as a reference point for what follows. The result is a well-written, well-researched, highly informative and eminently-readable volume

Within the volume, a List of Plates immediately behind the Contents page lists, in abbreviated form, the captions carried by the 20 images appearing within an eight page images’ section in the book’s centre. The ‘List, is in turn followed by an Introduction. Within this the author precis’ what is to follow within the 10 Chapters which form the bulk of the volume.  The Chapters take the reader from the Victorian-era to the start of World War I and, in Chapter 10, to The Enduring Legacy of the Analogue Revolution, in which he discusses the ‘The astonishing durability of the physical manifestations of the information technology perfected during the Edwardian period’ and the reasons why such machinery is still ‘earning its keep’ over a century after it was originally constructed. An Endword follows. In this the author considers the similarities and differences between the current Digital Age and its Edwardian predecessor, and presents his thoughts as to what the future might hold. A two-page Bibliography follows, and is in turn followed by the Index; the volume’s final section. As previously-noted there is a small (eight page), ‘images’ (Plates) section at the centre of the volume. In addition to the usual photographs, the images appearing within it include postcards, advertisements, plans and etchings. All are monochrome, informatively and clearly captioned and are alluded to within the volume when appropriate to the narrative.

As already noted, this volume is well-written, well-researched, highly-informative and eminently readable. For this reviewer however, it is let down by its Index. While reviewing a volume, this reviewer randomly looks in its Index for words which interest him. When reviewing this volume however, he found that, in many instances, the words being sought did not appear within the Index. While numerous examples could be presented, those found on page 52 will suffice.  With words such as Port Arthur, Alan Moorhead, St Petersburg, and Petrograd appearing on that page it would be reasonable to expect to find them in the Index. Such was not the case, while the omission of Frederick Lee (on page 57, and despite appearing in the same sentence as Edward Turner; his fellow patentee) is even more curious. The omissions were both widespread and random, to the extent that this reviewer eventually ceased to rely on the Index as a reliable source of information. He now has serious reservations about the Index’s authority and veracity. Unsourced Quotes have been used throughout the volume. In the absence of verifying citations, they have little research value and authority and, indeed, could well have been written by anyone.  How important such things might be will, of course, depend on the reader / purchaser’s requirements.

Due to the width of its research, and despite the ‘limitations’ previously described, this volume bids fair to become an authoritative work on its subject. As it combines both technology and social history, this volume is likely to appeal to Historians with an interest in either or both of these subjects, particularly in the context of Great Britain in the Nineteenth and early Twentieth Centuries.  Those with a specific interest in the invention and use of such things as Cinema, the Telephone, Radio /Wireless etc. may also find the volume of interest, while due to its easy-to-read style layman-readers wishing to learn more about the origins of both ‘Digital’ and Analogue’ technologies, and their inter-relationships, may also find it worthy of their attention.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7 ½.

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BOOK REVIEW: ‘The Analogue Revolution: Communication Technology 1901-1914’

BOOK REVIEW: ‘Steam In Scotland: a Portrait of the 1950s and 1960s’

91. Scottish Steam

Reviewer: Michael Keith

Title:  Steam In Scotland: a Portrait of the 1950s and 1960s

Author:  Kevin McCormack

Total Number of Pages: 168

Rating Scale (1: Very Poor, 10: Excellent) 7

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In the opening paragraph of this volume’s Introduction,  the author states: ‘’This colour album covers steam in Scotland…and uses, to the best of my knowledge, images which have not previously appeared in print’. With that established, he then states that ‘Most of the pictures used have been sourced from the Online transport Archive’ and that ‘…There are even some of my colour slides included…’  He concludes by saying: ‘I hope readers will enjoy this nostalgic glimpse of the Scottish railway scene…before the Beeching axe was wielded…’  As a precis it cannot be faulted.

The volume contains no Contents page, its first section being a three page Introduction. Within this the author details his personal railway-related story, introduces the reader to Scottish railways (the subject of this volume), and provides details about the origins of the photographs that have been used within it. The 159 pages of colour images which comprise the majority of the volume then follow. The author notes that ‘The pictures…have been arranged on a roughly geographical basis, starting on the eastern side of Scotland upwards from the English border, proceeding around the top of the country and ending on the western side near the border’. Unfortunately the absence of any Maps makes the statement rather pointless, especially to those readers who are neither local residents, or who live off-shore. All images are in colour and, as indicated by the title, the volume is predominantly of photos of steam locomotives of varying shapes, sizes and classes in a variety of Scottish settings and conditions. Sometimes the locomotives are attached to trains, but most of the photographs are of single units. Curiously, two stations (Broomhill and Arrochar and Tarber on pages 108 and 138 respectively), make appearances in their own right sans steam. The photographs are from a variety of sources, are largely single-paged in format and have informative captions placed underneath. However, and where appropriate to the narrative, smaller images have been inserted into the larger and two or three smaller images appear on a single page. The sources of the images are acknowledged. A single page Index completes the volume. As previously-noted no Maps are provided.

In this reviewer’s opinion (and given the book’s title), this volume’s Index is woefully inadequate.  Although the volume is (supposedly) concerned with Steam In Scotland, the Index carries absolutely no mention of either locomotives or trains within its entries. It is totally ‘station focused’. As a result, were the Index to be the first section consulted by a potential reader, it would be easy to conclude that steam locomotives and trains were not present when the volume’s photographs were taken. Yet even with that focus, not every ‘caption’ mention of a specific station is recorded. Boat of Garten (for example), while mentioned on page 106, according to its Index entry appears only on pages 102-104. All and any references to such items as Railway Companies, Events and Geographical Entities (despite being mentioned within the captions) are also absent. The lack of Maps has already been noted. A Glossary providing quick interpretation of the various ‘Company’ acronyms within the volume would have been helpful.

For readers seeking ‘Pictures of British steam trains in a Scottish setting’ this volume will be a delight, as they are there in quantity. Due to the Index, those seeking photographs of specific Scottish railway stations are also likely to find their desires met. Enthusiasts and railway modellers seeking images of specific locomotives and / or classes (and assuming that these have even been included) may also find this volume of interest. It should however be noted that, due to the previously-noted inadequacy of the Index a lot of searching may be required with no guarantee of success. Some may not deem it worth the effort.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7.

Had the Index been more indicative of the volume’s content, the rating would have been higher.

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BOOK REVIEW: ‘Steam In Scotland: a Portrait of the 1950s and 1960s’

BOOK REVIEW: ‘ Regional Tramways: Wales, Isle of Man & Ireland Post 1945’

89.isleofmantrams

Reviewer: Michael Keith

Title:  Regional Tramways: Wales, Isle of Man & Ireland Post 1945

Author: Peter Waller

Total Number of Pages: 181

Rating Scale (1: Very Poor, 10: Excellent): 7

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According to the author (when writing in the volume’s Preface), ‘This is the fourth in a series…intended to cover all the tramways of the British Isles. Its focus is primarily on those tramway systems in Ireland, the Isle of Man and Wales that operated after 1945. However, it also provides an overview of tramway development from the horse-tram era onwards’. It is a succinct and informative summary.

As would be expected, a Contents page opens the volume. This is followed by a page titled Abbreviations, within which appear the abbreviations used by the author for the various tramways under discussion. The page also contains a separate (albeit ‘boxed’) Key to Maps section. This provides both visual and textual keys to the colours the volume’s Maps employ when denoting the status of the tramways they portray. The previously-mentioned Preface follows. This section functions in the dual roles of acknowledging those who have contributed towards the volume, while clarifying points within it which may be likely to cause confusion; ‘A note on Welsh place names’ being but one example of the latter. The book’s Introduction follows. This is a section of some size and is divided into four parts, the reason being (again, according to the author) because ‘…Each of the constituent parts of this volume were covered by separate legislation’. That detail notwithstanding, what results is a consolidated and ‘potted’ history of all the lines which appear within the volume. It also includes information which the author considered relevant to the narrative, but was unable to place inside the individual Company histories. The main part of the volume follows. This consists of 15 alphabetically-arranged ‘Sections’ (analogous to Chapters, but not defined as such). Of these, 14 narrate the story of a specific tramway, the content of the 15th (Preservation) being evident from its title. With the exception of Section 15, which contains only photographs and text, each Section follows a standard format. Sequentially, this consists of a Map of the system, (although for unknown reasons The Manx Electric Railway and the Snaefell Mountain Railway are not ‘map-equipped’), several pages of text and numerous photographs. The text itself also follows a format. This consists of a history of the tramway, and (through the use of subheadings), a list of the Depots (Locomotive-shed equivalents) that existed while the line was in existence, and the dates upon-which the system’s routes were closed and ceased to operate. Histories of the vehicles that each system employed are also given. These appear at the end of each Section and cover either classes or individual vehicles as appropriate. A 14-entry Bibliography placed after Section 15 completes the volume.  There is no Index, nor outline map of Wales, the Isle of Man or Ireland to place the tramways in context to the British Isles as a whole. The volume contains numerous monochrome and colour photographs. These are clear, clearly and informatively-captioned and from a variety of well-documented sources. Curiously, the first two words of each caption are presented in ‘bold’ format. Why this practice has been adopted is unknown. The Contents page contains no reference to the existence of images within the volume. The book also contains two colour images of tickets and a copy of a letter. These relate to the final day of operations of tramways in Cardiff.

Unfortunately, for this reviewer this book was let down by its lack of an Index. Prior to reviewing the volume he knew little about its subject and, in the absence of an Index, had absolutely no way of finding out more about the interesting subjects within the volume that he encountered. Who (for instance) were the Richardson family mentioned on pages 67 and 72? There was/is no way to know and no guarantee that even the most thorough search will in fact locate the information being sought. Similar arguments could be applied to such diverse subjects as equipment manufacturers, geographical locations or organisations. The lack of context-setting outline maps has been previously noted, while the text also contained small lapses of tense.

The matter of the Index notwithstanding, this volume is well-researched, well-written and easy to read. The author definitely knows his subject. As a result, this book is likely to appeal to those railway enthusiasts with a particular interest in all forms of street tramways within Wales, the Isle of Man and Ireland since 1945. It may also be of interest to those with a more ‘generalist’ interest in public transport within the British Isles while Historians with an interest in British and Irish Social History may find the images and text informative and useful. Railway modellers with street tramway interests may also be able to make use of the images that the volume contains. For visitors to the Isle of Man who have travelled on its tramways, this book might also be a worthwhile souvenir.

On a Rating Scale where 1: Very Poor, 10: Excellent: I have given this volume a 7.

It should have been higher.

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BOOK REVIEW: ‘ Regional Tramways: Wales, Isle of Man & Ireland Post 1945’

BOOK REVIEW: ‘Castrum to Castle: Classical to Medieval Fortifications in the Lands of the Western Roman Empire’

88. castrum to castle

Reviewer: Michael  Keith Rimmer

Title:  Castrum to Castle: Classical to Medieval Fortifications in the Lands of the Western Roman Empire

Authors:  J.E. Kaufmann, H.W. Kaufmann,

Total Number of Pages: 278

Rating Scale (1: Very Poor, 10: Excellent): 9

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According to this volume’s dustjacket, this book is the ‘First volume in a two-part study of the history of fortification from the time of the Romans to the renaissance’. A statement appearing on page viii further-defines its intent. This states that ‘This volume covers the history of the fortifications in the lands that were part of the Western Roman Empire and its successors from the first century to the fourteenth century. It concentrates mostly on England and France’. It also notes that ‘This work includes historical background associated with fortifications in addition to their descriptions’. It is a succinct and accurate description of what is to follow.

Within the book, a two-page Preface placed after the Contents page clarifies and defines the various eras (Dark Ages, Middle Ages etc.) which appear within it. This is followed by a two-paragraph Acknowledgements section which thanks those individuals and orgnisations which contributed to the work. The eight Chapters which form the main part of the volume then follow. These are arranged in sequence and follow the development of the ‘castle’-type structure from Roman times to the Fifteenth Century.  Each Chapter is subdivided into Subsections, and, where necessary, (and in support of the larger narrative), into even smaller sections within the individual Subsections. Within the smaller sections, the text will sometimes appear within a green-coloured rectangle. The volume contains no reference to the practice, but it would appear that it has been adopted to highlight information considered important by the authors. A Conclusion placed after Chapter 8 (From Wales to Italy-Twelfth to Fifteenth Centuries) act as a summary for what has gone before. The content of this work’s companion volume is also summarised. An Appendix follows. The title (Table of Monarchs), is self-explanatory in both content and format, and covers the period 1000-1555. Throughout the volume additional information is provided through the use of End-notes. These are Chapter-specific and sequentially-numbered within that Chapter. The relevant citations appear within a designated Notes section placed after the Appendix. The volume’s Glossary and  Bibliography sections follow, together-with an Index; the latter being the final section within the work.  The volume contains numerous monochrome and colour photographs, together with plans, maps, tables, half-tone drawings and paraphernalia relevant to the narrative.Although these are informatively captioned, only some indicate their sources, the origins of the majority being omitted. Although the Index states ‘Page numbers in italics refer to illustrations’, the Contents pages carry no references to their existence.

When reviewing this volume, this reviewer found the Index to be somewhat problematic.  While randomly searching for ‘entries of interest’ within that section, entries were noted as being either absent or with page numbers omitted. An Index-search on page 53 (for example) for both Birdoswald and King Arthur found no entries, while it was noted that Chester, although accorded an Index entry and three page numbers, did not include a reference to its existence on page 53. As this was a random sample on a single page, by implication other entries are also likely to have been omitted. How many, and where, cannot, of course, be known, but the mere fact that these ommissions have been found causes doubt and the authority and veracity of the Index is inevitably questioned. A small number of spelling mistakes was also noted.

The matter of the Index notwithstanding (and due to the comprehensiveness of its coverage), this volume bids fair to becoming a ‘Standard Reference Work’ on its subject. The quality of its research is such that it is likely to be of interest to scholars in a variety of fields, while equally, a ‘layman’ reader with an interest in ‘Castles’ and ‘Things Medieval’, may well find it worthy of attention. War gamers and military modellers may also find its content of interest.

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 9.

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BOOK REVIEW: ‘Castrum to Castle: Classical to Medieval Fortifications in the Lands of the Western Roman Empire’

BOOK REVIEW: ‘Seventy Years of Railway Photography: Seven Decades Behind the Lens’

87. boocock railway pics

Reviewer: Michael Keith

Title:  Seventy Years of Railway Photography: Seven Decades Behind the Lens

Author:  Colin Boocock

Total Number of Pages: 255

Rating Scale (1: Very Poor, 10: Excellent) 7

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In this volume’s Preface, the author makes the following statement: ‘This book serves a modern need…by showing how anyone interested in railways can photograph them, and can keep up-to-date throughout a long photographic career as technology improves’. He then notes that ‘The book is also a celebration. The year 2017 marks the seventieth anniversary of the year in which I took my first railway photograph, 1947’. These statements are an excellent precis for what is to follow.

This volume is of the ‘Enthusiasts Picture Book’ genre of railway publications. However, unlike many of that genre, it has the bonus of both a well-written and very readable narrative and several sections about the actual process of railway photography; the latter being something rarely encountered within such books.

Within the volume itself, an Acknowledgements page placed immediately after the Contents page thanks those who contributed to the volume, while clarifying the matter of Copyright in respect of the small number of images that are not the author’s own. The author also notes that within the volume his ‘…Views are based on his own experience and cannot be attributed to the publisher or its agents’. A Preface follows. Within it the author simultaneously explains the volume’s rationale and clarifies various technical matters relating to the photographic equipment he has used over the years. The Preface is followed in turn by an Introduction within which the reader is introduced to both the origins of the author’s photographic passion and to descriptions of the various types of railway photography and the unique technical difficulties and solutions associated with these. The eight Chapters which comprise the bulk of the volume follow the Preface. Each Chapter covers a specific decade (for example The 1940s; The 2000s etc.). The Chapters are arranged in a standard format consisting of several pages of explanatory text outlining the author’s photographic adventures during that time, followed by a selection of photographs relevant to the narrative.  While initially the photographs are monochrome, over time (and as colour film became less expensive), these become increasingly of coloured format. Helpfully, and at the beginning of each collection of photographs, the author provides details of the camera/s used to take the images that are to follow. The Chapters are in turn followed by four Appendices.  According to the author ‘These appendices draw on my experience over the years’, and are devoted to the ’technical’ aspects of photography.  A two-line Postscript conveys St. Augustine’s thoughts on travel. It is the volume’s final section.  The book contains neither Index or Maps, nor a list of the photographs within it.

Unfortunately while this volume is both well-written and copiously illustrated, for this reviewer it is badly let down by the lack of an Index, with the additional lack of any Maps serving to compound the problem. In this reviewer’s opinion, without the assistance of an Index, it is unreasonable to expect a casual reader to (for example) know where an image of Ryde Pier Head (page 47) might be found, where a Eurostar (page 153) is located within the volume, or where to look to learn about Mobile phones as a useful photographic device (pages 242-243). The absence of such assistance reduces this volume to essentially a ‘Collection of Pretty Pictures’ with some useful words thrown in – if the latter can be found! A similar situation pertains to the lack of Maps; where (for instance) is Grindleford (page 81) or AoBaoGou (page 177)? The average reader (especially if they are a layman) cannot be expected to have to repeatedly confer with refer to an atlas when perusing this volume. Again, this lack reduces the volume’s value, particularly to the ‘off-shore’ reader not familiar with the geography of the British Isles (the book’s primary area of focus).

Because it provides a unique photographic record of the period 1947-2017, there is no doubt that this volume will appeal to readers with an interest in the railways of Great Britain over that time. In many instances, the images capture now-departed aspects of British culture, and as a result, Social Historians might also find the volume useful as a research tool. Photographers and railway modellers are likely to find the images and articles relating to their interests useful, with the qualified assumption (due to the lack of an Index) that they can actually locate such material. Non -‘railway enthusiast’ readers looking for pictures of ‘pretty trains’ might also find it worthy of their attention. In summary: An excellent, well written and very informative volume; a shame about the Index and Maps

On a Rating Scale where 1: Very Poor, 10: Excellent, I have given this volume a 7.

It should have been much higher.

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BOOK REVIEW: ‘Seventy Years of Railway Photography: Seven Decades Behind the Lens’