Pages from a sketchbook: Working In The Dark – Literally

By its very nature, and irrespective of what is being extracted,  an underground mine is a dark place to work. It has, in fact been likened to ‘being buried-alive for eight hours a day’. There is, of course. little art to convey what this is like; since after all, black (intense, almost touchable black) is just that’ ‘black’.  However, the addition of light, whether from candles, carbide lamps or  electrical battery-powered lights attached to safety helmets  does (literally) brighten the scene and it is this that I have attempted to portray in the images presented below:

Titled:  ‘View from a Chamber towards a Shaft’. the first image attempts to convey the depth of the darkness (as shown in the entrance to the shaft visible in the background) and also the small amount of light given-off by the use of candles within the shaft chamber; the candles appearing as circles of light  with only a very small field of illumination around them and across the waiting ore wagon in the foreground.

Title:  ‘View from a Chamber towards a Shaft’.

Media: pen and Ink liner on 100gsm cartridge paper.

Owner: Artist’s own collection.

This work is copyright

3. UNDERGROUND DSCF3149 (3)

View from a Chamber towards a Shaft.

A scene with a similar theme appears below, and shows two miners using a Lyner-brand compressed-air rock drill at a working face. Again, the darkness is illuminated only by candles, and the area is full of shadows as a result.

Title: ‘Lyner Stoping Drill’

Media: pen and Ink liner on 100gsm cartridge paper.

Owner: Artist’s own collection.

This work is copyright

2A.DSCF3126 (3)

Lyner Stoping Drill.

 

 

 

 

 

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Pages from a sketchbook: Working In The Dark – Literally

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